The Sunday Post (Inverness)

Acclaimed novelist on seeing her The worst case on overnight

- By Murray Scougall mscougall@sundaypost.com

Twenty years after trying

– and failing – to become a screenwrit­er, Helen Fitzgerald is enjoying the moment.

Thanks to the successful adaptation of The Cry, a prime-time Sunday-night ratings winner, Helen no longer has to write a word before producers are bidding to snap up her latest stories.

Worst Case Scenario, Helen’s first book after The Cry, was the subject of a seven-way bidding war for television rights, while her newest, Ash Mountain, was bought for the screen before she’d even written it.

For Helen, it feels like a full circle, having penned her first book because she couldn’t sell any of her scripts.

“I turned to books in frustratio­n, because I hadn’t come close to getting anything made, so I wrote a book just to enjoy writing after developmen­t hell,” she said.

“There are a few writers I know who’ve done the same – not got anywhere in TV and so written books, and then their books are optioned for the screen. I guess that was my plan from the start but it just took a while to happen.”

Originally from Australia, Helen has lived in Glasgow for 30 years, having met her husband, Scots-italian screenwrit­er Sergio Casci, while both were travelling after graduating from university. They have spent lockdown holed up at home with their daughter, Anna, 23, and 20-year-old son Joe. “We didn’t think we would see times like this again, having all of us together so, although I hate to sound too positive about lockdown, it’s been nice,” she said.

“Anna is a sheltered housing officer in Ayr and doesn’t have her driving licence yet, so we’ve been ferrying her around, while Joe has just sat his second-year university exams. “When I finished Ash Mountain a few months ago, I decided to take some time off to get healthy and look after the house for a while. I just needed to clear my brain, as the last two books have been heavy going.

“I get bored by what I’m doing after a couple of years, including writing. I’d been a social worker since 1994 and had taken time off on three or four occasions to write full-time, but then I’d go crazy because working from home can make you a little antisocial and I needed to get back into the real world.

“I’ve spent periods in both occupation­s on two or three occasions and I feel really lucky to dip into another job. It helps with my writing, having the real world going on and not just being inside my head.

I find writing a hard job, to sit at home and try to discipline myself, but social work was also really hard, so I won’t do two hard jobs again. I’ll always write, but the next job I take on will be easier and unqualifie­d.”

Having at one point been a social worker in Barlinnie prison before leaving the profession after The Cry’s success, Helen called upon her experience­s in the role to write Worst Case Scenario.

While The Cry, which starred Jenna Coleman in the TV adaptation, was a harrowing domestic noir, set in Scotland and Australia, about a missing child, Worst Case Scenario is a darkly comic thriller featuring a devil-may-care prison social worker.

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