The Sunday Post (Newcastle)

Life according to...

Impression­ist Christina Bianco, below

- WORDS MURRAY SCOUGALL

What do you make of the Fringe?

This is my third time, but it’s the first doing the full run of dates. The first time I came, I had that feeling of wanting to do and see everything. I ended up with the Fringe flu, so I’m determined to stay healthy and make sure I pace myself. I’ve done eight shows a week my entire career, but this is different – it’s like being shot out of a cannon.

How do you ensure you stay healthy?

I have a very detailed, colourcode­d schedule I’m sticking to, which includes nap time. I’ve never been much of a napper, but I’m forcing myself. It’s mostly the social atmosphere you have to be aware of – you want to cheat and go out and see friends, but it’s the late-night environmen­t that can vocally fatigue you. My voice has to be so flexible and the show is very demanding, so I might be quite boring throughout the Fringe.

When did you realise you could do impression­s?

I wasn’t aware until I was in junior high school, when my friends said I was always mimicking voices. I would just repeat what my friends said in their voices without realising I was doing it or that people were tickled by it. The first time I was aware I could get a response was at a party when I was 12 or 13, and Celine Dion’s That’s The Way It Is came on. I started singing along and before I knew it, the entire room was watching me do this impression.

Have you been the centre of attention at parties ever since?

That first performanc­e was the most attention I’ve ever had at that point in my life. I’m actually quite a wallflower in social situations. Within the platform of performanc­e, I have no fear, but if I’m at a party and someone asks me to do a song, I freeze up. I can only do it when the time is right. I like to compartmen­talise and have that off switch. I’m not as theatrical as people assume I will be.

How difficult is it to learn a voice?

It depends on the person’s voice. Some are innately easy to do. With Celine Dion, although she has different mannerisms and pronunciat­ions, her voice is similar to my own. I have a clear voice, so it’s more difficult to do someone with a raspier voice like Tina Turner, who I rarely do, or Joan Rivers, who I just can’t do. I’m a firm believer in quality over quantity.

I’m not nearly as theatrical as people assume I will be

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