The Sunday Post (Newcastle)

REBELLION

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In 1746, the Act of Proscripti­on sought to prevent further uprising against the Crown.

It was the royalist regime’s second attempt to remove a key element of the Highlander­s’ unity and their clan empowermen­t by making it illegal to wear certain types of garments.

The common misconcept­ion is the Act was a ban on tartan, but it wasn’t, and it didn’t apply to everyone. It was a restrictio­n by the English over the Scots and, in some sense, it was more of a disarmamen­t than anything else.

It was not put in place to affect the gentry or nobility of the cities, nor was there a restrictio­n on women and children.

Instead, it was firmly aimed at the Highlander­s and their way of life.

The “ban” was lifted in 1782 with a proclamati­on sent out to the Highlands.

The right to wear tartan almost came too late. By the end of the 18th Century, a whole generation had passed, and with the threat of the law and imprisonme­nt hanging over them, people had quickly forgotten the skills necessary to make tartan.

But something was brewing in the minds of a select few (including Sir Walter Scott) in Edinburgh… A Royal Pageant would be the first time a monarch from the House of Hanover set foot on Scottish soil. The monarch was King George IV.

Scott’s dream of how the ceremony should look was pure pomp. All would be swathed in tartan, accompanie­d by bagpipes.

Highland dress became national costume. The demands of fashion chose, as always, style over function, as some of the surviving pieces in the National Museum of Scotland show to great effect. Tartan’s place in history was now firmly embedded.

 ??  ?? Sir Walter Scott portrait by Henry Raeburn. Scott was central to bringing tartan back to Scottish culture
Sir Walter Scott portrait by Henry Raeburn. Scott was central to bringing tartan back to Scottish culture

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