I managed to go from top of the pops to the bottom of the heap and never had to go out my front door
Taggart star on turning his home into a film studio and living his teenage dream in rock band comedy
With theatres closed and TV productions cancelled, thousands of actors have been left questioning when they’ll work again.
Colin McCredie found the answer – in his daughter’s bedroom.
The Perth performer, best known for playing policeman Stuart Fraser in Taggart for 15 years, spent two weeks “on set” in the family home on a project that saw him realise one of his childhood dreams.
From his home in the west end of Glasgow, Colin told The Sunday Post: “The location for my character was to be a child’s bedroom. So I more or less kicked Betsy out of hers for two weeks and set it up as a studio.”
Former River City actor Colin was performing with fellow former Shieldinchers Tam Dean Burn and Sarah McCardie in a unique adaptation of author David F Ross’s novel The Rise And Fall Of The Miraculous Vespas.
He said: “I had to be the set designer, the costume department, the lighting and sound guy. It gave me an appreciation of all the work they do. And I got to fulfil my life’s ambition of being an ’80s Scottish pop star who had a No 1 and was on Top Of The Pops.”
Colin plays faded pop singer Grant Delgado in the adaptation of the story, which also features a cameo from Radio Scotland DJ Billy Sloan and original music from Bobby Bluebell.
“In normal circumstances it would have been developed as a play, but because of the nature of lockdown it has been developed as a film,” said Colin.
“Every day we’d meet via Zoom and batter through it. It turned out to be a really good way of working. There was no standing around gossiping. It was all really focused. And, as much as it was made this way because of lockdown, it’s not about lockdown at all.”
Colin added: “Like most people in my industry sitting around for weeks with no prospect of work, suddenly to get two weeks’ employment was pretty good.”
Viewers can watch the story on Ayr Gaiety Theatre’s lockdown channel fromTuesday.
The project comes just weeks after Colin suffered the loss of his father Norman, who passed away in Northern Ireland, aged 90, after a stroke. “He died on his own, and that was the worst part of it,” said Colin. “We got him home, for a funeral that wasn’t a funeral, with us standing in five separate groups at the graveside, not even able to give your sister a cuddle or go for a cup of tea afterwards.
“But we all stood by his grave and spoke about him, two of my nieces read poems and a piper played. So, in some ways, it was lovely. We’d
‘ I had to be the set designer, sound and lighting guy, and costume department
had a big family party for his 90th in February, and it was great that we’d all managed to come together to celebrate that.”
While Colin is hoping for the return of live theatre, he is being realistic about the impact of the coronavirus on the industry. He said: “I’m not sure if theatres can be run with social distancing rules in place. It’s a worry, because, without work for so many of the freelancers in the industry, people will have to walk away from it, and the arts will suffer because of that. That’s why it’s really important that projects like this go ahead if there’s money around to make them.
“I’m desperate to get back to watching gigs at the Barrowlands, too. But I’m still nervous about being in a room that size with several thousand other people.”