The Sunday Telegraph

Teenagers’ dreams are not being nurtured, says Sharkey

Undertones frontman says band would not have made it today due to internet and risk-averse record labels

- By Steve Bird

FEARGAL SHARKEY, the singer with punk band The Undertones, has rounded on today’s music industry for failing to encourage and nurture new talent.

In an interview with The Sunday Telegraph before his 60th birthday tomorrow, the vocalist, who found fame with songs including Teenage Kicks and My Perfect Cousin, says the music business is so obsessed with marketing and online promotions that it is stifling creativity.

The Northern Irish musician, who for many years worked as a music executive, claims The Undertones would not have made it in today’s industry, adding that songwriter­s were likely to make more money “flipping burgers” than getting paid for writing a well-crafted song.

Explaining how the band he joined as a teenager in 1975 relied on the simple but effective marketing strategy of sending the “good song”, Teenage Kicks, to John Peel, the radio DJ, he said real talent was getting now lost in the “gazillion” songs on the internet. “In the modern world we think that because you can make a noise, that noise has some sort of intellectu­al, creative or artistic depth and integrity attached to it. It hasn’t – it’s often a noise,” he said from his north-west London home.

“For those who have some innate talent and ability, it’s become more difficult because there is a much greater volume of noise and static that they have to push their way through to get noticed. That’s made life way more difficult for them.”

Sharkey, who had internatio­nal success and a UK No 1 in 1985 with A Good Heart, added: “Young artists think they have to develop their marketing campaign, have a podcast, Facebook and YouTube presence. “When I talk to young artists, I say, ‘Why are you worrying about all of that?’

“How do you have a long, successful, productive and creative career in the music industry? The answer is if you write utterly fantastic music.

“So I say ‘Stop worrying about your Facebook page and go and write a better song.’”

He said “digital utopians” who claimed the internet would “democratis­e music” had been proven woefully wrong, in part because music streaming services pay so little in royalties.

“A songwriter now will be better off working in a hamburger bar on a minimum wage because they will probably make more money.

“Streaming is killing the ability for songwriter­s and artists to make a living. And, that may impact on their desire and capability to make music.”

Explaining how most computers have a built-in recording studio program offering everyone the chance to record music, he said: “In many ways this utopian world we were told would give us a level playing field where we could record our own songs has not turned out that way. Throughout the Seventies and early Eighties all kinds of record companies were signing up a huge range of artists.

“So, The Undertones got a chance. But most major labels are no longer in a position or willing to take that kind of risk and make that kind of investment to develop cutting edge artists exploring the fringes of what is possible creatively.”

However, Sharkey believes the UK remains the country where the next great musical talent is most likely to be found.

“I’m an eternal optimist and think there’s some 17-year-old somewhere about to create the most incredible piece of music anyone has ever heard.

“And, if any country on earth can deliver that, it probably is the United Kingdom.

“I just hope that among all the other noise and static out there that when that moment comes there is enough space so we can identify that unique talent and ability and give it the opportunit­y and support and nurturing that a band like The Undertones had in 1978.”

Sharkey has received numerous awards and two honorary degrees for his contributi­on to the music industry.

He has worked as an A&R – or talent scout – for a major record label, and served on a government task force to promote live music venues.

‘A songwriter now will be better off working in a hamburger bar as they will probably make more money’

 ??  ?? Feargal Sharkey and The Undertones on stage in 1980. Left, the singer says that technology allowing anyone to record music and post it online simply creates a noise
Feargal Sharkey and The Undertones on stage in 1980. Left, the singer says that technology allowing anyone to record music and post it online simply creates a noise
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