The Sunday Telegraph

I am now certain that Rhodes will fall, regardless of public opinion. Here’s why

- DANIEL HANNAN

In July, Oriel College, Oxford set up a panel to consider the future of a statuette of Cecil Rhodes that rests in a niche high in the building paid for by the diamond magnate himself. It seemed, at the time, like a wise move. The college was being besieged by Black Lives Matter protesters, some of whom were making considered arguments against memorialis­ing Rhodes while others railed in general terms against slavery, police brutality, apartheid and a hundred other evils unconnecte­d to the dapper adventurer. It seemed sensible to pass the decision to a commission that could deliberate cool-headedly.

Glancing at the public positions of the nine commission­ers, though, it looks as if Oriel has empanelled a hanging jury. Most have said things that are, in broad terms, woke; and several appear to have already made up their minds to remove the statue.

We all have our starting assumption­s, of course. Still, it is worth noting how unrepresen­tative these particular assumption­s are. According to a poll for Policy Exchange, 65 per cent of British people agree with the following statement: “It is unfair to make judgments about people in the past based on today’s values. Statues of people who were once celebrated should be allowed to stand.” At the same time, 69 per cent are proud of Britain’s past.

Bear those numbers in mind as we consider the opinions of the various commission­ers. Michelle Codrington­Rogers, president of the teachers’ union, the NASUWT, describes herself as “a long-time activist and advocate for the decolonisa­tion of the UK curriculum”. During protests against the statue, she said: “We keep fighting on to expose the raw wounds of the past and try to heal them for the benefit of the next generation. So I thank you all who are involved in the Rhodes Must Fall campaign.”

Shaista Aziz, a local Labour councillor, was one of the loudest supporters of the Rhodes Must Fall campaign. Her position leaves no room for nuance. “It has to go,” she has said. “The college has to understand that it can’t backtrack on this.”

William Beinart, an emeritus professor at St Anthony’s College, is more balanced in his assessment of Rhodes, but has none the less written that the statue should be moved to a museum.

Other commission­ers, while they might not have opined on Rhodes, have made clear in general terms where they stand on Britain’s imperial legacy. Laura Van Broekhoven, director of the Pitt Rivers Museum, is keen on returning artefacts and decolonisi­ng museums. For some people we are “a very hostile space,” she says. Zeinab Badawi, the broadcaste­r, has made a series on African history which takes a predictabl­e BBC line, presenting pre-colonial civilisati­ons as almost prelapsari­an.

Chairing the commission is Carole Souter, a former civil servant, who told this newspaper in July that pulling out the statue “was not a foregone conclusion”. It is hard to reconcile that statement with the apparent opinions of a number of her commission­ers – or, indeed, with her own past opinions.

When, for example, the Mandela Rhodes Foundation declared, “Today we share Nelson Mandela’s true intention for the MRF and our perspectiv­es on reconcilia­tion, reparation and social change. #blacklives­matter #rhodesmust­fall”, Ms Souter retweeted it, adding: “A powerful and challengin­g piece. Are we ready to act?” (Note, as an aside, that Mandela himself, far from seeking to cancel Rhodes, was keen to work with the Rhodes Trust to promote scholarshi­ps for African students.)

The commission­ers have not said anything unwarrante­d. Their views are perfectly legitimate. It is simply that they seem to be unlikely to reach the conclusion that nine randomly chosen members of the public would reach. My guess is that, after a short discussion, they will divide 7-2 in favour of removing the statue, and will then move on to telling Oriel what else it must do, such as taking down its portraits of white men or establishi­ng admissions quotas. Thus do critical theory, intersecti­onalism and identity politics continue their long march through the institutio­ns, untroubled by public opinion.

It is a pity, since a commission of this kind could put things into context. It could, for example, take into account Rhodes’s opposition to the disenfranc­hisement of black voters in Cape Colony. It could note his calls for “equal rights for every civilised man south of the Zambezi”. It could acknowledg­e his sponsorshi­p of Izwi Labantu, the newspaper of what became the African National Congress. It could consider the terms under which he created the Rhodes Scholarshi­ps: “No student shall be qualified or disqualifi­ed for election to a scholarshi­p on account of his race.” Within five years, one of those coveted places had been won by a black American, the distinguis­hed writer Alain LeRoy Locke. Today, a fifth of Rhodes Scholars come from Africa.

It could recognise that Rhodes’s statue by HA Pegram is integral to Oriel’s facade – as, indeed, are the likenesses by the same sculptor of,

prima facie, far more controvers­ial alumni, such as Thomas Arundel, a medieval bishop who was an enthusiast­ic burner of Lollards, and William Allen, who was on Spain’s side during the Armada. I wish I could say that these clergymen were further from modern sensibilit­ies than the relatively liberal (and Liberal) Rhodes; but the truth is that their intoleranc­e of dissent would fit right in with our censorious mood.

Above all, the commission could underline that universiti­es are supposed to be a safe space for reason. Many Rhodes Must Fall campaigner­s are uninterest­ed in detail, because they want to see Rhodes as a detestable symbol rather than as a complex man. But hurt feelings should not override facts.

When the campaign against Rhodes began five years ago, a poll of Oriel undergradu­ates showed that there were majorities among students of all ethnic background­s for keeping his statue. That seems also to be the view of the country at large and, indeed, of the government it recently elected. Yet we are likely to get a different policy decreed by an appointed panel. That, in a nutshell, is what is wrong with modern Britain.

Universiti­es are supposed to be a safe space for reason, but many Rhodes activists are uninterest­ed in detail

 ??  ?? The statue of Cecil Rhodes outside Oriel College, Oxford. Most people agree it is wrong to judge historical characters by today’s values
The statue of Cecil Rhodes outside Oriel College, Oxford. Most people agree it is wrong to judge historical characters by today’s values
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