The Week

Best books… Simon Callow

- by Caryl Brahms and S.J. Simons, Titles in print are available from The Week Bookshop on 020-3176 3835. For out-of-print books visit www.biblio.co.uk

Actor and writer Simon Callow picks five favourite books. His one-man staging of A Christmas Carol is at the Arts Theatre, London WC2, until 7 January. One-man Band, the third volume of his biography of Orson Welles, is out now

A Christmas Carol

by Charles Dickens, 1843 (Puffin £9.99). Though by no means his greatest novel, it remains an extraordin­ary distillati­on of Dickens’s big themes: the healing potential of social life, the vulnerabil­ity of children, life versus anti-life. The form of the piece is astonishin­g, cinematic, almost cartoonish: Dickens the writer as conjuror.

The Man Who Was Thursday

by G.K. Chesterton, 1908 (Penguin £5.99). Chesterton was – amongst other things in a huge output – a great Dickens expert, and author of a number of perceptive books about him. This novel is his finest achievemen­t in fiction, a phantasmag­orical story of

the anarchists of the end of the 19th century: horribly familiar previsions of our own world.

The Hollow Man

by John Dickson Carr, 1935 (Orion £8.99). One of a series of novels featuring amateur detective Dr Gideon Fell. The triumph of the novels is Fell himself: vastly corpulent, droll and quirky. He is clearly based on Chesterton, a romantic conservati­ve whose comment on psychoanal­ysis remains definitive: “confession without absolution”. A splendidly ripe figure, Fell is said to bring the spirit of Father Christmas into any room he enters.

A Bullet in the Ballet

1937 (out of print). From the fattest detective who ever lived to the “Scotland Yard Adonis”. Inspector Quill is deputed to investigat­e a murder during a performanc­e of Petrushka by the Ballet Stroganoff. This comedy thriller is one of the glories of backstage writing, fielding dozens of terpsichor­ean grotesques with sublime dialogue, mostly in broken English.

Bolshoi Confidenti­al

by Simon Morrison, 2016 (4th Estate £20). The real story behind the greatest of all ballet companies, culminatin­g in the notorious acid attack on its director. Sometimes funny, but always dramatic, it is a chilling, thrilling read.

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