The Week

The Killing of a Sacred Deer

Disturbing art-house fable with Colin Farrell Dir: Yorgos Lanthimos 2hrs 1min (15)

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Imagine you have the ideal life. You’re a successful surgeon. You have a beautiful wife. But there’s one snag: the son of a patient you accidental­ly killed has put a “death curse” on your children, meaning they’ll “become paralysed and stop eating and bleed from the eyes and die” unless you kill one family member of your own choosing. That, said Kevin Maher in The Times, is the chilling premise of Yorgos Lanthimos’s almost perfect art-house fable.

For viewers who’ve “yet to have the pleasure”, Lanthimos is a Greek director specialisi­ng in “bourgeois-baiting absurdism”. Here, he coaxes brilliantl­y deadpan turns from a bushy-bearded Colin Farrell and a brittle Nicole Kidman, as the parents under siege. Assisted by his regular cinematogr­apher, Thimios Bakatakis, whose camera “prowls around the cast like they are under surveillan­ce”, he conjures his signature atmosphere of “percolatin­g unease”. I’m in two minds about whether being shocked out of my “bourgeois numbness” is how I want to spend my Friday evening, said Tom Shone in The Sunday Times. Yet there’s one excellent reason to see this film – Barry Keoghan’s chilling turn as the malevolent hexer.

The Killing of a Sacred Deer works both as “a profound meditation on karma, predestina­tion and guilt”, and as “a proper scary movie”, said Andrew Lowry in Empire. It boasts “near career-best work from all involved”. But be warned: this is not an easy one to watch.

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