The Week

Best books… Mark O’connell

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Mark O’connell, a journalist and author based in Dublin, chooses five of his favourite books. He won the 2018 Wellcome Book Prize for his debut, To Be a Machine, published by Granta at £9.99

At Swim-two-birds by Flann O’brien, 1939 (Penguin £9.99). This is both one of the funniest books of all time, and one of the most ingenious fictional experiment­s ever conducted. It’s futile to attempt an account of its plot, but it involves a university student whose effort to write three separate stories gets wildly and hilariousl­y out of hand.

The Journalist and the Murderer by Janet Malcolm, 1989 (Granta £9.99). This is not just a great work of literary journalism, it’s also one whose greatness resides in it being about journalism; it’s about the writer Joe Mcginniss, the ethical questions around his true-crime book Fatal Vision,

and his relationsh­ip with its subject. Malcolm is, I think, one of the greatest prose stylists working in any form, and she is at her best here.

Fictions by Jorge Luis Borges, 1944 (Penguin £8.99). This collection of short stories is one of the most head-spinning works of fiction I’ve ever encountere­d. Borges is the kind of writer who changes the way you think about reality, and Fictions is his masterpiec­e.

For the Time Being by Annie Dillard, 1999 (Vintage £11.25). Here Dillard, a deeply religious writer, confronts head-on the depth of depravity and suffering in the world, while holding fast to her faith

with everything she’s got. It’s a work of ecstatic beauty and palpable pain, an unthinkabl­e hybrid of prose poetry, theology, and nature writing. It’s Dillard’s genius in full, dark flow.

Moby-dick by Herman Melville, 1851 (Penguin £5.99). If I had to pick a favourite novel, it would have to be Moby-dick. It is, of course, about a madman who diverts a commercial whaling voyage to hunt down a gigantic whale he has a justifiabl­e grudge against (missing leg, etc.); but it’s also about masculinit­y, madness, capitalism, religion, colonialis­m, race, sex, and the unthinkabl­e void at the heart of creation.

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