This England

Come One, Come All

Andrea Cowan on how our Cathedrals have been attracting new visitors

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OF the 42 English Anglican cathedrals, nine are medieval, 13 were added by Henry VIII and 20 were created during the 19th and 20th centuries. From the Middle Ages to the Reformatio­n in the 1500s, cathedrals were symbols of the power enjoyed by the Church. Most were intentiona­lly built as cathedrals, but some were parish churches raised to cathedral status after the Reformatio­n. Ripon, for example, has a crypt dating from the mid-7th century but was only raised to cathedral status in 1836. The latest Church of England cathedral to be created is Guildford, in 1961.

The word “cathedral” comes from the Latin word meaning “seat”: as the largest and most important church of a diocese, the building will house the bishop’s seat or “cathedra”. Original medieval bishop thrones are still preserved. Canterbury Cathedral, the foremost cathedral in England’s church hierarchy, houses the marble Chair of St Augustine named after the first Archbishop of Canterbury; stone episcopal thrones can be seen at Wells and Durham and a timber throne at Exeter, complete with a striking 14th century, 50-foot dark oak canopy.

Some cathedrals house significan­t historical documents and objects, such as the largest known medieval map, the Mappa Mundi, which is on permanent display at Hereford. Two of the original copies of the 1215 Magna Carta are housed at Salisbury and Lincoln Cathedrals. Others are the final resting places of kings and queens and poets and pioneers.

The Associatio­n of English Cathedrals (AEC) is marking 2020 with the launch of a special project: Year of Cathedrals, Year of Pilgrimage. This nationwide celebratio­n has been inspired by several anniversar­ies such

as the 800th anniversar­y of the consecrati­on of the shrine of St Thomas Becket. The project can be seen as part of a wider trend of cathedrals embracing different uses beyond pastoral care. Some are flinging open their doors to host art exhibition­s. Others are hosting prehistori­c exhibits from the Natural History Museum.

It’s a delicate balance, encouragin­g visitors whilst not compromisi­ng the needs of the congregati­on. But, as a great draw for tourists, pilgrims and locals alike, cathedrals have substantia­l social and economic benefits. Research conducted in 2014 by Ecorys showed that visitors made a total spend of £125 million across local economies.

Once visitors are there, it seems cathedrals work their magic. An AEC poll shows that while only 10 per cent arrive intending to pray, nearly half find themselves lighting a candle or leaving a written prayer. Last year 240,000 people lit a candle in York Minster alone.

“The overwhelmi­ng comment in cathedral visitors books is: ‘I have found some peace here’. People talk incessantl­y of the spiritual experience they have had in cathedrals,” says the Very Reverend Adrian Dorber, chair of AEC and Dean of Lichfield. Some secular visitors are even seen in tears, and surveys of the 10.5 million Britons a year who visit England’s cathedrals suggest such a reaction isn’t unusual. Events may be delayed or cancelled. Please check online for informatio­n.

 ??  ?? Salisbury Cathedral is at the centre of a city-wide programme of events for Salisbury 2020 – City on the Move
Salisbury Cathedral is at the centre of a city-wide programme of events for Salisbury 2020 – City on the Move

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