UNCUT

BORiS

Dear 8/10

- Japanese doom-rock institutio­n celebrate 25 years of existence LOUIS PATTISON MARk BENTLEy

Alongside Sunn O))) and Earth, Boris are leading lights of a small subgenre of metal groups taking Black Sabbath’s slow and sludgy template and distilling it into new concentrat­ions of heaviness. After LPs like Pink and Attention Please, which intermingl­ed Boris’ churning guitars with aspects of shoegaze and J-pop, Dear feels like a refresh to their core sound – you can almost see the amplifiers tremble as “Deadsong” and “Kagero” deploy their depth-charge riffs. But Boris’ trump card is their unlikely gracefulne­ss. “Beyond”, featuring vocals from guitarist Wata, achieves a drifting, beautiful desolation that many of their peers lack. post-hip-hop production moments. The spirits of Stevie, the Isleys and Sly Stone are invoked repeatedly: “No Holding Back” and “Good Music” typify a set of generous grooves, tailor-made for summer.

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