UNCUT

JOSEPH SHABASON

Aytche 8/10 Saxophonis­t’s contemplat­ive, ambient-jazz delight

- SHARON O’CONNELL

Independen­t debuts by ensemble players are seldom as ravishing as this. Joseph Shabason has form, as saxophonis­t with DIaNa and Destroyer and go-to guy for acts including the War On Drugs, but Aytche smudges the boundaries between ambient, “nu jazz” and minimalism. With recurrent motifs to ensure the tracks play as a set piece, it shifts from warm, gaseous exhalation­s (ecstatic opener, “Looking Forward to Something, Dude”) to liquid symphonics (“Long Swim”) and noisy, saw-toothed eruptions (“Smokestack”). Coltrane, Eno and Metheny are touchstone­s, but Shabason’s abstractio­n is sensual, his language emotional: “Westmeath”, which concerns the suicide of a holocaust survivor, is particular­ly lethal in its softness.

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