UNCUT

WILL BEELEY

Gallivanti­n’/Passing Dream 7/10, 7/10 Two sides of lost Texas songwriter

- (reissues, 1971, 1979) ALASTAIR McKAY

Obscurity doesn’t quite capture the fare of Will Beeley, a texas songwriter who released two albums – Gallivanti­n’ in 1971 and Passing Dream in 1979 –before becoming a DJ and talent booker for the Midnight rodeo in Albuquerqu­e. for the past 14 years he has been a long-haul truck driver, hauling cryogenic liquids across the US. All the while, the reputation of Gallivanti­n’ was thawing, helped by its scarcity. Only 200 copies were pressed, and Beeley sold them from the back of his car, before attracting the attention of the Mississipp­i label Malaco, which released his second album, Passing Dream in 1979. It made little impact, but develops the Dylan/tim Hardin folk stylings of his debut into something approachin­g New Country. Gallivanti­n’ explored the stark territory between its first and last tracks – Dylan’s “You Ain’t Going Nowhere” and a spiralling, psychedeli­c reworking of Buffy SaintMarie’s “Little Wheel Spin And Spin/ Co’dine”. Passing Dream – recorded in a week with a five-piece studio band, including Dylan/Levon Helm guitarist Larry Campbell – is a warmer record. “rainy Sundays” is beautifull­y mellow, but is surpassed by “I Saw Jesus Peekin’ thru A Hole In the Sky”, which sounds like Sturgill Simpson in growling gospel prototype. Extras: None.

 ??  ?? Mange two: (l-r) Stephen Luscombe and Neil Arthur of Blancmange
Mange two: (l-r) Stephen Luscombe and Neil Arthur of Blancmange
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