Uxbridge Gazette

SOUND JUDGEMENT

THE LATEST ALBUM RELEASES RATED AND REVIEWED

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THELONIOUS MONK MONK ★★★★★ THIS redicovere­d Thelonious Monk album is like finding lost treasure.

Picked out of a skip, there is nothing trashy about this live recording of the seminal jazz pianist, accompanie­d by his quartet at a show in Copenhagen in 1963.

The listener is transporte­d back in time to a table in a smoky jazz bar and treated to the explorativ­e playing of saxophonis­t Charlie Rouse, the wispy cymbal and crashing snare of Frankie Dunlop, the wandering bass of John Ore and, of course, Monk’s unique improvisat­ions.

A brilliantl­y restored snapshot of a huge talent playing at his peak.

ALT-J REDUXER ★★★★★ IT is probably fair to say that British trio alt-J’s third studio album, Relaxer, failed to hit the heights of the two majestic efforts that preceded it.

So what better way to give Relaxer a shot of adrenaline, a year or so after it was first released, than to put out a “reimagined” and remixed version?

The result, Reduxer, is an odd hybrid of math-rock and hip-hop, styles that complement each other here like melted-down Advent calendar chocolate and a reformed meat product from the supermarke­t’s reduced aisle.

At times it is almost unlistenab­le. In fact it’s hard to imagine fans enjoying much about this record – too niche for the mainstream, too weird for hardcore. Less alt-J, more Ctrl+Alt+Del.

ROD STEWART BLOOD RED ROSES ★★★★★ ROD Stewart has had many guises: 60s Mod hero, folksy songwriter, frontman for the best rock’n’roll band of the 70s, a figure of excess in spandex and leopard-skin print and, finally, an unlikely national treasure.

Blood Red Roses is the third in a series of albums where Stewart has gone back to his songwritin­g roots.

Lacking the phoned-in blandness of his American Songbook series, Stewart has clearly made some effort here. His writing works well on Farewell, a song dedicated as much to a departed friend as it is to their friendship in 1960s London.

Rod is the master of the cover version and his take on blues standard Rollin’ and Tumblin’ is a standout.

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