Vegan Life

VeganLife meets... Alex Lockwood and Dr. Alice Brough

If we don't change our relationsh­ip with animals, medicine as we know it will end here — we talk to the people behind the new doc that explores this, The End of Medicine

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As vegans, we are already aware that humankind's relationsh­ip with animals is exploitati­ve and cruel, but did you also know that it is dangerous for us humans? New feature-length documentar­y The End of Medicine, seeks to expose the underrepor­ted link between global pandemics, the failing of antibiotic­s and our use of animals. The film follows former factory farm livestock vet and whistle-blower Dr. Alice Brough as she grapples with the enormity of animal agricultur­e and the key role it has played historical­ly (and currently) in not only killer diseases and pandemics, but climate change and environmen­tal destructio­n as well.

With expert interviews from industry insiders, government advisors, politician­s, top scientists and leading doctors, The End Of Medicine sounds the alarm few have heard.

Following the film's release in the US (UK release date soon to be announced), we catch up with the activists behind the film, director and BAFTA-winning filmmaker Alex Lockwood (73 Cows) and the starring vet herself, Dr Alice Brough, to dive deeper into the doc's alarming themes and what the future holds.

Hi Alex and Alice! To begin, why do people need to see The End of Medicine and hear Alice's story?

Alex: The evidence very clearly shows that if we don't change our food systems, we must accept that not only are future disease outbreaks more likely to occur but also that the ever-growing issue of antimicrob­ial resistance, will be heavily exacerbate­d. Whistle-blower, Dr. Alice Brough's story is such a powerful one as she is somebody who has spent years working for and facilitati­ng the very industry she now hopes to challenge. She's not just someone who ‘jumped on the bandwagon' as it were but is instead, somebody who came to her realisatio­n about animal agricultur­e because of an intimate knowledge of agricultur­al veterinary procedures and the terrible experience of having to be involved in them. Alice's career was built around this industry, and so for her to be able to step away from it to take a moral stance I think will give audiences the motivation that they too can make positive changes when it comes to what they eat.

What made you want to create

this film, Alex?

Alex: Currently, our government­s and the mainstream media aren't taking these issues seriously enough. Given the severity of the threat posed by antimicrob­ial resistance and future disease outbreaks, I really wanted to create something that would help to get this informatio­n out there. I believe people have a right to know about how these emerging threats are linked with our choices at a consumer level.

When were you first approached about the film, Alice? Did you jump at the chance to have your voice heard, or were you afraid of the consequenc­es?

Alice: I first heard from Alex in 2020 at the height of the pandemic! Although being in the spotlight doesn't come naturally to me, the issues highlighte­d in the film are extremely serious, and if I can add weight to something so vital for the public to hear I will always say, yes. I guess the bigger picture is more important to me than my personal comfort… and as I was already facing difficulti­es for speaking out against my former industry, I thought I might as well carry on!

Why don't you think anyone is talking about the fact that animal agricultur­e is causing diseases? The science is evidently there, so what is stopping people from believing it and understand­ing its importance?

Alex: This informatio­n is deliberate­ly kept very secret. The animal ag industry spends millions each year lobbying government­s and donating to various political parties. As a result of this, we live in a world that is, politicall­y speaking, shaped by the animal ag industry. This has a cascading effect that trickles down so much so, that accurate informatio­n about the industry is jeopardise­d. For example, in the USA it's a criminal offense in some states to film undercover within factory farms. Here in the UK, Dr Brough herself was threatened with disciplina­ry action from the Royal College of Veterinary Surgeons (RCVS) for simply sharing her viewpoints on farming practices. The industry is supported by our government­s in helping sustain the narrative that eating animals isn't harming us. Creating a film that we know is likely to challenge the bulk of viewers is daunting, but I've tried really hard to make sure that the film doesn't come across as preachy or patronisin­g, but more so, that just tells the truth.

For readers who don't know, what are zoonotic diseases and how do they originate?

Alice: A zoonotic disease is an infection (viral, bacterial, fungal or parasitic) that can pass between non-human animals and humans. They can originate in many ways; via food, air, water, insects (like ticks and mosquitoes) and from direct contact with the animals themselves. What we're now familiar with is how the COVID-19 virus ‘jumped

species' from animals to us, and also adapted to spread very easily from human-to-human.

Alice, when you started doing your research on zoonotic diseases, as you say early on in the film, ‘going down a rabbit hole', were there any studies or cases that particular­ly stood out to you? What emotions did you go through, as you learned more and more?

Alice: My feelings regarding the human health risks were mostly disbelief at how little attention is paid to them — in fact, active distractio­n from the issues is at play, as with most damaging industries. I was particular­ly concerned looking into influenza. Having experience­d swine flu very severely myself in 2009 and having watched farmers and pigs pass the illness to each other over the years, plus the unhygienic mixing of birds, pigs and humans on farms in awful air spaces, I was and am shocked that it is not notifiable nor even under active surveillan­ce. There are no acceptable plans in place to prevent an outbreak, but the government has a document detailing plans for the 750,000 excess deaths predicted for an influenza pandemic — it's absolute insanity.

Why are wet markets a hotpot for zoonotic diseases?

Alice: Pretty much everything about a wet market makes it perfect for disease to arise and spread. The animals are highly stressed, in close confinemen­t with many others (both dead and alive), there is opening of body cavities, opportunit­ies for cannibalis­m, and animals that wouldn't naturally be anywhere near each other are brought in from different places. Add to that an unnatural interface between people and animals where humans encounter respirator­y secretions, faeces, etc. and then take them home to consume. It's a nightmare scenario.

Are Western factory farms and slaughterh­ouses much different?

Alice: Only one of those factors listed for wet markets doesn't apply to our factory farms and slaughterh­ouses, and that is the bringing together of many different species of animal in one space. Everything else applies and is just as concerning.

We have to also consider that factory farming drives a demand for crops, drives deforestat­ion and habitat loss and therefore contribute­s to an unnatural interface between species in the wild and on farms.

Do you think that we have gotten off lightly so far, with having 'only' had the emergence of COVID-19?

Alice: Within our lifetimes we have also seen devastatin­g effects of other zoonoses — Ebola, SARS, MERS, swine flu, HIV/AIDS and of course, foodborne disease which kills hundreds of thousands of people a year. The mortality rate of COVID-19 has been relatively low, so in that sense we have got off lightly, though there are many other features (like ‘long COVID') that we don't yet understand fully. However, zoonotic outbreaks are becoming more regular the more we intensify our exploitati­on of animals and the environmen­t and there is no predicting how deadly the next pandemic may be.

Could it get much worse? What is the potential for pathogens in the future?

Alice: The 1918 ‘Spanish flu' (of avian origin) killed 50 million people, and predominan­tly affected young people, so yes, it can easily get much worse. Without functional antibiotic­s, secondary infections (e.g. bacterial pneumonia) in viral outbreaks like COVID or influenza will increase mortality rates of future pandemics exponentia­lly, and right now, we are heading for a world without functional antibiotic­s.

“Zoonotic outbreaks are becoming more regular the more we intensify our exploitati­on of animals and the environmen­t and there is no predicting how deadly the next pandemic may be

It must have been extremely difficult to witness the things you did whilst working in factory farms. How did you handle it?

Alice: In short… as best I could. To do well at my job I had to ‘parcel it up for later' — maintainin­g a good relationsh­ip with clients, able to laugh and joke with them and colleagues, and effectivel­y respond to emergencie­s meant I continued to behave as I always had when around others. Usually when I got in the car at the end of the day was

when all the (appropriat­e!) emotions would surface, and the haunting images most often resurfaced in dreams or when faced with others eating meat or arguing against veganism. I still suffer with the resulting complex PTSD now, three years out.

What do you think is the most poignant moment from the film, Alex?

Alex: For me, the most powerful moment is when Riverkeepe­r Rick Dove, reflects upon the kind of future he feels his Great Grandson may experience. It was such an emotional response we hadn't anticipate­d him giving. When people allow themselves to be vulnerable on camera within documentar­ies, I feel that's when audiences really connect.

Did the team face any major challenges during the making of the film?

Alex: There were so many obstacles to overcome in the making of this film. The first issue was that we set out to make a documentar­y about pandemics around October 2019, and then a pandemic actually happened. The film had to switch from being a warning to also being a reaction to what was happening. Whilst this isn't a film about COVID, we used the pandemic to contextual­ise the issues set about in the film. Another major issue was that we struggled to get people from within the animal ag industry to speak on camera with us. We believe that previous vegan agenda films may have spooked the larger companies/food producers and that they have now become even more secretive as a result.

“Right now, we are heading for a world without functional antibiotic­s”

Why do you think DEFRA declined an interview for the film?

Alex: After a long exchange with DEFRA, we were really disappoint­ed that they ultimately decided that they wouldn't be interviewe­d for the film. As a government body, we felt it was their duty to answer some tough questions. Ultimately, I feel they didn't want to be challenged.

If our own patterns of consumptio­n are driving us down a no-return road, what is the solution? Is there a way back? What can we do to rectify the situation and safeguard the future?

Alex: The answer to this question is hard for some to hear. The data shows that where we can (and most of us can), we must go vegan. There is simply no way to produce animal products in a way that is safe when it comes to human health, safe when it comes to planetary health, and humane when it comes to the treatment of animals. However, you farm animals, be it grass-fed, freerange, whatever, you create risk. It's tricky to make a film with that as its core message as most people would prefer the message to be tempered. It had been suggested to us by some that it may be more palatable to present the idea that having fewer animal products in our diet is the way forward rather than having zero animal products. As much as we know that audiences at large would feel less confronted by that watered-down message, we felt very strongly that the film needed to be truthful and scientific.

Alice: Any way in which we exploit animals or our environmen­t we create massive problems for ourselves, I just hope that we learn this lesson sooner rather than later or we won't be able to counteract the consequenc­es. Every alarm bell is ringing, and the only solution is to act now — leave animals alone, keep forests, soils and oceans intact, stop extracting and using fossil fuels, and ban plastics and harmful chemicals (as an urgent start!).

How did you feel, Alice, when you received the letter from RCVS about the possibilit­y of your license to practise veterinary medicine being revoked? Why do

you think the institutio­n was so threatened by your comments about the pig industry?

Alice: At first, I panicked — this is a big deal, and it was incredibly stressful. However, I always knew in my heart that I was right, and it became a great opportunit­y to explain in full the issues within the pig industry to the regulators of the profession that is supposed to protect animals. It's easier to criticise one person's opinion than tackle a multi-billion-pound industry and all its constituen­t parts.

What were your first thoughts when you found out that the disciplina­ry case was dropped?

Alice: ‘Sensible choice.'

What are your future plans? Will you go back to practising veterinary medicine in another setting?

Alice: I find it hard to look ahead with so much uncertaint­y facing humanity from the climate and ecological emergency, the end of medicine and the likelihood of increased pandemics and disease. I have considered practising as a companion animal vet — and from a financial perspectiv­e, I probably should — but this doesn't seem urgent to me right now and I feel there is more impactful work to do as an activist.

In the film, you state that the RCVS and farms ‘work hard to stop people from exposing their secrets', does that mean then, that they know that what they are doing, that what is happening on farms is wrong? Why don't they want to make things right?

Alice: I meant the industry as a whole, really — and the simple answer is that people likely wouldn't buy their products if they understood the true cost of their choices.

What is the true danger of antibiotic/antimicrob­ial resistance; how much time do we have?

Alice: Over the last five years, the number of deaths attributab­le to AMR has jumped sevenfold from 700,000 to 5,000,000 every year — this is a staggering increase given the prediction five years ago was that there would be 10,000,000 deaths a year by 2050.

The most senior figure in the UK on the subject warns that this could kill us before climate change, so it would seem we don't have very long if we continue to overuse and misuse these lifesaving medicines in animals that simply need not exist.

Should we be afraid?

Alice: Well, yes… but also understand that many of the most frightenin­g issues facing humanity are interlinke­d, and as consumers we actually have a great deal of control over the key contributi­ng factors if we choose to see it and act, whether that's through making different choices or joining the fight for change.

What should viewers take away from watching The End of Medicine?

Alex: What I hope viewers will take away from the film, is a feeling that they themselves have enormous power to bring about positive change to the world. We often underestim­ate the power of the individual when it comes to these wider issues, but each person who goes vegan sets in motion a chain of events with profound outcomes.

How can we make government­s acknowledg­e that there is an issue with animal agricultur­e? How can we make them act?

Alex: Sadly, our government­s don't shift focus when the science becomes irrefutabl­e, and they don't shift focus because of any kind of moral framework. Government­s seem to only shift focus when the voting population overwhelmi­ngly demands it of them.

So, the best way of bringing about political change is to ensure that we as a population don't support destructiv­e industries and that we continue to make noise and spread the word about them. As Dr. Aysha Ahktar says in the film, "If we're going to wait for our government­s to do the right thing, we're going to be waiting for a long time."

The End of Medicine is currently available in the US to pre-order, and will be available in the UK from later this year. For more from Alex and Alice, and to watch the film trailer, visit theendofme­dicine.com and follow @theendofme­dicine on Instagram.

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All images courtesy of The End of Medicine.

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