Wales On Sunday

SOUND JUDGEMENT

The latest album releases reviewed

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CRASH

CHARLI XCX

★★★★★

With a roster of producers it’s remarkable Charli XCX has managed to make Crash feel cohesive as well as eclectic. Her fifth album opens with the AG Cook-produced title track, a two-minute sonic smorgasbor­d that encompasse­s both Prince and PC Music, ending in synthetic-sounding guitar licks (one suspects the 1975 had something to do with this, with George Daniel taking a co-producer credit).

Speaking of which, she has chosen some unexpected collaborat­ors: New Shapes, for instance, features Christine and the Queens and Caroline Polachek.

And even apart from the big singles, there are plenty of bangers here. Lightning is a case in point: not content with summoning up 1980s-era Madonna, it proceeds to show us the woman who brought us Diamonds is still a fan of delightful­ly overblown extended metaphors.

WARM CHRIS

ALDOUS HARDING

★★★★★

New Zealand’s Aldous Harding is preparing for a world tour – including two nights at London’s cavernous Barbican – to showcase her outstandin­g fourth album.

Her success is well deserved, as her playful and joyous music sounds like no-one else. She specialise­s in songs with killer hooks that will stay with you for a long time, as on the piano-driven single Fever, the jaunty Tick Tock and Passion Babe.

Her mother is a folk singer, an influence evident on Bubbles, a sparse ballad that could be from decades ago, and Leathery Whip with its echoes of the Velvet Undergroun­d.

At just 10 tracks, Warm Chris, her most charming and accomplish­ed album yet leaves you wanting more.

HOMESICK

SEA GIRLS

★★★★☆

Indie rockers Sea Girls return with their lockdown-produced effort Homesick. From opener Hometown, we are introduced to themes of nostalgia and memory.

Lead single Sick explores the difficulti­es and complexity of adulthood while Paracetamo­l Blues is a beautiful insight into a caring relationsh­ip.

Although it lacks the experiment­al spirit needed to take Sea Girls to the next level, this is a worthy follow-up without a single bad song.

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