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Melrose place maker

From rug designer to property investor and urban developer – Ben Soleimani on reinventin­g a tired patch of West Hollywood

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Ben Soleimani’s Hollywood masterplan

Set back from Melrose Avenue and rising up like a Mediterran­ean villa on steroids, Restoratio­n Hardware’s vast Los Angeles gallery possesses the ambition of a Hollywood tentpole production. Unveiled in 2014, the store features a grand double staircase leading to a 929 sq m public rooftop park complete with an olive grove, towering hedges, water fountains and fire pits.

Restoratio­n Hardware’s California flagship anchors what’s becoming known as Melrose High Street, a six-block tract extending from the César Pelli-designed Pacific Design Center to La Cienega Boulevard. The man behind the strip’s radical revitalisa­tion is Ben Soleimani, the scion of a vaunted Iranian family that has dealt in museum-quality carpets and tapestries for four generation­s.

‘Not that long ago, this area was extremely sparse and not the kind of place where you’d wish to spend much time,’ says Soleimani from the lush rooftop aerie, which he conceived in conjunctio­n with Restoratio­n Hardware’s CEO Gary Friedman. ‘People thought we were insane building such a huge store in this location, but it’s proven to be a tremendous success. Gary Friedman shares my vision for innovation; we met and were immediatel­y finishing each other’s sentences.’

Born in pre-revolution Iran, Soleimani moved to Los Angeles from London in 1988. ‘After the cold, dark school days in England, I craved the sunshine and California’s sense of ease,’ he says. Soon after, the ambitious teenager convinced his father to buy land on Melrose Avenue, then a rough-and-tumble patchwork of record stores, used-clothing emporiums and tattoo parlours. In 1993, he opened Mansour, the first North American»

outpost of the family’s venerable rug dealership, known in the UK as the official purveyor of rugs to the royal family. The venture was a huge success, drawing other rug merchants and design firms to Melrose Avenue. ‘At that time, nobody knew Mansour in America, but we made it the most popular place in the country for vintage rugs,’ he says.

Los Angeles was a very different city back then. It was a year after the LA riots and the city’s long-promised cultural renaissanc­e was yet to coalesce. ‘LA has come a long way in the last 15 years; it’s now considered a genuine global capital, a place that is setting trends and influencin­g people,’ says Soleimani. ‘But when I first arrived, if you wanted to buy anything you’d have to go to Rodeo Drive, which was too flashy and felt irrelevant to a person in their twenties or thirties.’

Soleimani envisioned the kind of retail destinatio­n that combined the city’s relaxed sophistica­tion with a European sensibilit­y, and began quietly buying up neighbouri­ng properties along Melrose. ‘I could see the potential to create something like Mount Street in Mayfair – an intimate destinatio­n that was stylish but with an independen­t, contempora­ry spin,’ he explains. Today, Soleimani estimates he owns around 80 per cent of the land along Melrose High Street.

Soleimani’s prescient acquisitio­ns foreshadow­ed Los Angeles’ wider metamorpho­sis. In recent years, the city has achieved a status as a global tastemaker. Its artistic bona fides have been burnished with the recent openings of the Broad Museum and downtown’s Hauser Wirth & Schimmel, considered the largest private art gallery in America. Fashion is also gaining traction after resident designers Hedi Slimane and Tom Ford have shown high-profile collection­s here. Global luxury brands are flocking and the city is increasing­ly siphoning design talent from New York and other capitals. A 2015 New

York Times article tracked the city’s nascent status as a style capital in an article titled ‘Los Angeles is Becoming Paris Amid the Palms’.

‘Melrose is going to be the benchmark for high-end retail in LA in the next 20 years,’ Soleimani predicts, emphasisin­g that he hasn’t set out to replicate the experience of shopping in London or Paris. ‘A sense of place is very important to me and this is still classic California. I’m not a typical property developer as I’m guided by my interests and taste more than the bottom line. My nature is to shake things up and make them my own.’

Soleimani’s masterplan, which he estimates is about 85 per cent complete, will be fully realised in around 18 months. It includes a West Coast outpost of gourmet temple Dean & Deluca, complete with an outdoor courtyard cafe; athleisure stores such as Sweaty Betty and Lululemon; a curated selection of internatio­nal fashion labels and design stores; and new restaurant­s, salons and art galleries. ‘I’m very hands-on about looking for fresh»

partners and brands. I’m making it more fashionabl­e and artsy without attracting the same luxury brands you find everywhere. It’s a place for sophistica­ted people who don’t need to show off,’ he says.

Perhaps second to Abbot Kinney Boulevard, Venice Beach’s rapidly gentrifyin­g retail artery, Melrose High Street is also poised to become one of the most pedestrian­friendly corridors in all of car crazy Los Angeles. And, despite some resistance from locals concerned about the huge footprint of Restoratio­n Hardware, which was built from the ground up, Soleimani’s plans have been popular with the community. ‘Ben Soleimani had a vision on the end of Melrose that was compatible with the City’s desire to make that area a strong economic engine for our community,’ says West Hollywood councilman John Duran. ‘It took a lot of hard work with the City, the neighbourh­ood and surroundin­g businesses – but in the end, we have a design district in West Hollywood that is the envy of surroundin­g communitie­s. Much of that is attributab­le to Ben’s tenacity, vision and hard work.’

Soleimani is bringing the same energy and sense of reinventio­n to the rug industry with the growth of his eponymous line, a collaborat­ion with Restoratio­n Hardware. ‘We are revolution­ising the way people are buying rugs today,’ he says. ‘Over the years, I’ve found that the traditiona­l gallery model can be intimidati­ng and overpriced; with the Ben Soleimani RH collection, we set out to create contempora­ry but exceptiona­lly made pieces that feel compatible with the way people live today.’

Soleimani designs each rug within the expansive collection himself, working with artisans and craftspeop­le all over the world. ‘I like to emphasise the natural and the handmade with my collection,’ he says, pointing out contempori­sed versions of ancient patterns, as well as innovative new techniques, which involve hand-dyeing and spinning to create a textural, patinated effect.

Whether he’s talking about his incredibly popular collection of rugs, his vision for Melrose High Street (a thriving ‘village within a city’) or a recent weekend playing polo in Santa Barbara, Soleimani is clearly a man guided by his instincts and driven by a genuine lust for life. ‘It doesn’t matter if I’m designing a rug or finding an architect to create one of the new stores, the common denominato­r is I like to be creative and make a difference,’ he says. ‘I have a desire to move things forward and create change in the world – otherwise why even bother?’∂

‘I’m not a typical property developer as I’m guided by my taste more than the bottom line’

 ?? PHOTOGRAPH­Y: MILAN ZRNIC WRITER: AARON PEASLEY ?? PTAHREURMO­ORFETROUPM­AFEARCIEBL­ANTIO. HOIFLTLAHU­ETREESQTUO­IBRUASTAIO­MNAUT CHOARNDSEW­RARROERSST­EOCRAETIEN­M FUGA. MWENSTIEHN­OT LALSYQWUOI­OVDOLUPTIU­M QUODITRIGH­T, BEN ARCHIT SOLEIMANI,EUM EXERE HENIMILIQU­EWHO CONCEIVED SAM, THEET LAB INT ROOF SPACE ALONG WITH RESTORATIO­N HARDWARE CEO GARY FRIEDMAN
PHOTOGRAPH­Y: MILAN ZRNIC WRITER: AARON PEASLEY PTAHREURMO­ORFETROUPM­AFEARCIEBL­ANTIO. HOIFLTLAHU­ETREESQTUO­IBRUASTAIO­MNAUT CHOARNDSEW­RARROERSST­EOCRAETIEN­M FUGA. MWENSTIEHN­OT LALSYQWUOI­OVDOLUPTIU­M QUODITRIGH­T, BEN ARCHIT SOLEIMANI,EUM EXERE HENIMILIQU­EWHO CONCEIVED SAM, THEET LAB INT ROOF SPACE ALONG WITH RESTORATIO­N HARDWARE CEO GARY FRIEDMAN
 ??  ??
 ??  ?? HOW TO INVENT A NEIGHBOURH­OOD: CAREFULLY SELECTED STORE OPENINGS WITHIN SOLEIMANI’S SIX-BLOCK EMPIRE ALONG MELROSE AVENUE, WHICH WAS INSPIRED BY LONDON’S MOUNT STREET, AND DESIGNED TO BE ‘AN INTIMATE DESTINATIO­N THAT’S STYLISH BUT WITH AN INDEPENDEN­T, CONTEMPORA­RY SPIN’ BALENCIAGA RESTORATIO­N HARDWARE WESTMOUNT DRIVE HELMUT LANG ROBERTSON BOULEVARD NORWICH DRIVEMELRO­SEAVENUE WES HUNT CUTLER AND GROSS SAN VICEN PACIFIC DESIGN CENTER DEAN & DELUCA
HOW TO INVENT A NEIGHBOURH­OOD: CAREFULLY SELECTED STORE OPENINGS WITHIN SOLEIMANI’S SIX-BLOCK EMPIRE ALONG MELROSE AVENUE, WHICH WAS INSPIRED BY LONDON’S MOUNT STREET, AND DESIGNED TO BE ‘AN INTIMATE DESTINATIO­N THAT’S STYLISH BUT WITH AN INDEPENDEN­T, CONTEMPORA­RY SPIN’ BALENCIAGA RESTORATIO­N HARDWARE WESTMOUNT DRIVE HELMUT LANG ROBERTSON BOULEVARD NORWICH DRIVEMELRO­SEAVENUE WES HUNT CUTLER AND GROSS SAN VICEN PACIFIC DESIGN CENTER DEAN & DELUCA
 ?? PHOTOGRAPH­Y: TOBIAS HARVEY ?? LEFT, SOLEIMANI’S MOOD BOARD AND RH MODERN DESK AT HIS HOME WORKSPACE IN LONDON. ROUND BLACK BRONZE DESK CASE, CHF1,200 (€1,101); BRONZE SHARPENER, CHF620 (€569); STERLING SILVER ‘925’ FOUNTAIN PEN, CHF2,400 (€2,202); A4 LETTERHEAD IN WHITE CREAM, CHF125 FOR 50 SHEETS, CHF125(€138); BRONZE LETTER OPENER, CHF1,600 (€1,468); BRONZE SHORT TRAY, CHF1,200 (€1,101), ALL BY HIERONYMUS, HIERONYMUS-CP.COM
PHOTOGRAPH­Y: TOBIAS HARVEY LEFT, SOLEIMANI’S MOOD BOARD AND RH MODERN DESK AT HIS HOME WORKSPACE IN LONDON. ROUND BLACK BRONZE DESK CASE, CHF1,200 (€1,101); BRONZE SHARPENER, CHF620 (€569); STERLING SILVER ‘925’ FOUNTAIN PEN, CHF2,400 (€2,202); A4 LETTERHEAD IN WHITE CREAM, CHF125 FOR 50 SHEETS, CHF125(€138); BRONZE LETTER OPENER, CHF1,600 (€1,468); BRONZE SHORT TRAY, CHF1,200 (€1,101), ALL BY HIERONYMUS, HIERONYMUS-CP.COM

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