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louise bourgeois

Art world grande dame

- CS

The French-american artist Louise Bourgeois may have been 96 years old when she joined Rei Kawakubo and Zaha Hadid as our joint Guest Editor in October 2008, but she took on the role with the energy of someone half her age. Bourgeois worked with three long-time friends and collaborat­ors – fashion designer turned artist Helmut Lang, architect Peter Zumthor and artist Roni Horn – to curate a unique edit of their work.

Paris-born Bourgeois moved to New York in 1938 and achieved internatio­nal recognitio­n for the disturbing sculptures and installati­ons that she began producing in the 1960s. She was exploring familiar territory when she told us, ‘I say things that I shouldn’t say and I do things that I shouldn’t do. There is violence. I break things and then there is guilt and regret. The duality is in the work.’

Her final major work, a collaborat­ion with Zumthor, was the Steilneset Memorial at Vardø in Norway. Previewed in our 2008 issue, it opened in 2011, a year after she died, and the intense psychodram­a of its interior – dedicated to the many women burnt as witches hereabouts in the early 17th century – doubles as a fitting memorial to Bourgeois herself.

 ??  ?? 01Peter Zumthor on the coast in Vardø, Norway. ‘Zumthor and l have used earth, water, fire and air to create views of silence,’ said Bourgeois of their Steilneset Memorial02­Helmut Lang on the beach near his house in The Hamptons. ‘Helmut went to the ocean to gather his thoughts,’ explained Bourgeois. ‘Inspiratio­n comes from retreat’03 Roni Horn with her Vatnasafn/library of Waterinsta­llation in Iceland. ‘Horn chooses solitude. She chooses the experience of nature,’ said Bourgeois 01 02 03 Bourgeois, photograph­ed (left) by Scott Douglas in 2008, selected one of her own works for her cover, Untitled, 2007, in fabric and fabric collageBot­tom, the artist’s pages included a curation of the work of three collaborat­ors
01Peter Zumthor on the coast in Vardø, Norway. ‘Zumthor and l have used earth, water, fire and air to create views of silence,’ said Bourgeois of their Steilneset Memorial02­Helmut Lang on the beach near his house in The Hamptons. ‘Helmut went to the ocean to gather his thoughts,’ explained Bourgeois. ‘Inspiratio­n comes from retreat’03 Roni Horn with her Vatnasafn/library of Waterinsta­llation in Iceland. ‘Horn chooses solitude. She chooses the experience of nature,’ said Bourgeois 01 02 03 Bourgeois, photograph­ed (left) by Scott Douglas in 2008, selected one of her own works for her cover, Untitled, 2007, in fabric and fabric collageBot­tom, the artist’s pages included a curation of the work of three collaborat­ors
 ??  ?? Interior shots of Louise Bourgeois’ home in Chelsea, New York. It is now part of The Easton Foundation, which promotes scholarshi­p and awareness of Bourgeois’ life and artPhotogr­aphed in 2016 by Jean-françois Jaussaud © The Easton Foundation/ VAGA, NY
Interior shots of Louise Bourgeois’ home in Chelsea, New York. It is now part of The Easton Foundation, which promotes scholarshi­p and awareness of Bourgeois’ life and artPhotogr­aphed in 2016 by Jean-françois Jaussaud © The Easton Foundation/ VAGA, NY

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