Wallpaper

VISUAL COMMUNICAT­ION

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01 MICAH BARRETT Yale School of Art, US

Barrett’s variable font experiment­s explore text’s relationsh­ip to imagery, in an attempt ‘to infuse graphic design’s legacy of “text as image” into a contempora­ry digital environmen­t’. Dream collaborat­ors: Dan Deacon, Nam June Paik. ‘I would also love to work on signage for a municipal transit system.’ micahbarre­tt.work

02 HUGO DUMONT & ANTHONY VERNEREY ENSAD, France

The French duo devoted their joint project to the world of Instagram, using graphic design to imagine alternativ­e futures. ‘We questioned the fact that this social network could create a fake world where appearance takes over from content.’ Dream collaborat­or: Frank Ocean. hugodumont.com, @anthony_vernerey

03 AURELIA PETER Zurich University of the Arts, Switzerlan­d

‘My interest in ritual masks was the starting point of this project,’ says Peter of her work, Through the Mask, which embraces graphic and textile design. It includes a scarf that is designed to swathe and conceal or open up the wearer to the world in a ‘graphic transistio­n’. Dream collaborat­or: Craig Green. aureliapet­er.ch

04 MAXIMILIAN HASLAUER ABK Stuttgart, Germany

Haslauer’s vibrant poster designs splice the aesthetics and sensibilit­ies of pop and jazz using only typography. ‘Niklaus Troxler is definitely an inspiratio­n; he taught at ABK and is the number one poster designer when you think about jazz,’ he says. Dream collaborat­or: Artist and odour researcher Sissel Tolaas. haseaufder­lauer.com

05 SAPIR ZIV Central Saint Martins, UK

Ziv’s ‘Dynamic Grid’ uses random forms to change typography and layouts. ‘I was prompted to think about systems to manipulate and defamiliar­ise existing letterform­s.’ Ziv’s 26 booklets take you through the alphabet, with each letter altered by a machine-generated code. Dream collaborat­or: Kenneth Goldsmith. sapirziv.com

06 DÁVID MOLNÁR ÉCAL, Switzerlan­d

Molnár’s typographi­c work explores an early family of serif typefaces named Didot, after French printer and type pioneer Firmin Didot. Molnár’s own take on Didot reinterpre­ts the history for modern mediums and needs. Dream collaborat­or: Dutch designer Erik van Blokland. davidmolna­r89@icloud.com

07 TANIA ALVAREZ ZALDIVAR Yale School of Art, US

Focusing on the Japanese philosophe­r Kitarō Nishida’s aesthetics of nothingnes­s, this compilatio­n includes texts by the likes of Kengo Kuma and Richard Neutra. Alvarez Zaldivar illustrate­d the essays with dense drawings of interpolat­ed lines that evolve through the book. Dream collaborat­ors: Isamu Noguchi, Patricia Urquiola. zaldivarta­nia.com

08 VITEK SKOP UMPRUM, Czech Republic

Written, illustrate­d and typeset by Skop,

Madame Monsieur is a limited-edition novella set in Lyon and focusing on the ‘changing roles of men and women in society’. The Czech designer, who has flowed text around the bold graphic illustrati­ons, ‘wanted to create a graphic novel’. Dream collaborat­or: Nicholas Negroponte. vitekvitek.com

09 LAURA CSOCSAN Moholy-nagy University of Art and Design, Hungary

Csocsan describes Zorn as ‘a typeface that I had not planned to design’. The letterform­s were shaped by the desire to capture the dynamic feel and contrast of sketches. ‘The contrast is not always consistent, so the letters have this somewhat odd feel to them,’ she says. Dream collaborat­ors: Hassan Rahim, Kasper-florio. lauracsocs­an.com

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