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Full circle

To mark the centenary of his illustriou­s family business, New York jewellery specialist Lee Siegelson picks out a design piece of shared heritage and values

- Photograph­y Rebecca Scheinberg Fashion Aylin Bayhan As told to Caragh Mckay

A New York jewellery specialist on a 20th century design that symbolises 100 years of his family business

My grandfathe­r, Louis Siegelson, opened his watch-repair shop in Brooklyn in 1920. When my father, Hy, took the helm, he expanded the business to diamonds and jewellery, eventually occupying the largest display window on 47th Street in the heart of the Diamond District. I joined my father in 1992, but when he died two years later, I began refashioni­ng Siegelson as an appointmen­t-only business focusing on 20th-century masterpiec­es.

For me, the ‘Giraffe’ set sums up the Siegelson way – it has no big gems or obvious beacons of value. We have many rare pieces that do, but this is simply an exceptiona­lly crafted design. The lacquered Oréum (a branded gold alloy) necklaces and bracelets are the work of sculptor, craftsman and jewellery designer Jean Dunand. They speak of a specific moment in the 1920s when the value of the material wasn’t as important, but the design was. In this case, Dunand used a series of stacked line necklaces to evoke the feel of something exotic but modern, not least because of how the metal was engineered to make an elegantly concentric line on the neck and on the wrist.

A similar model was made for Josephine Baker, who was Dunand’s muse. Recently returned from a major exhibition, ‘The Jazz Age: American Style in the 1920s’, at Cooper Hewitt and the Cleveland Museum of Art, the set owned by Siegelson is the largest known, with six pieces in total. We regularly loan pieces of jewellery to exhibition­s, and we also work with museums who wish to buy important jewellery for their collection­s. In honour of our centenary this year, we will donate three significan­t pieces to three museums this year.

I am always looking to buy great pieces by Dunand, but ‘Giraffe’, if it comes up at all, is usually offered in singles or doubles. When a set of three necklaces and bracelets, in the iconic red and black lacquer, came up for sale, I just had to buy it. It will probably be the most complete set ever to come on the market. And so it feels like we have come full circle – that many of the greatest pieces I now offer were first created at the same time my grandfathe­r was opening his store. * siegelson.com. Siegelson New York regularly loans to exhibition­s. Recent acquirers include Museum of Fine Arts Boston, Newark Museum, and The Cartier Collection

 ??  ?? Above and opposite, ‘Giraffe’ lacquer and Oréum necklaces and bracelets, prices on request, by Jean Dunand, from Siegelson New York Top, £4,300; skirt, £12,400, both by Hermès, hermes.com Model: Frieda Munting at Select Models Casting: David Steven Wilton at East
Above and opposite, ‘Giraffe’ lacquer and Oréum necklaces and bracelets, prices on request, by Jean Dunand, from Siegelson New York Top, £4,300; skirt, £12,400, both by Hermès, hermes.com Model: Frieda Munting at Select Models Casting: David Steven Wilton at East
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