Wallpaper

A new age of design

- Bill Prince, Editor-in-chief

Welcome to Wallpaper* issue 301. Our tricentena­ry successful­ly navigated, it feels a no less auspicious moment to be ushering in a new age of design – just in time to celebrate Salone del Mobile. Why a new age? Because a younger generation at the apex of forward-thinking furniture companies – Giulia Molteni and Maria Porro, for instance, or Carola Bestetti at Living Divani and Eleonore Cavalli at Visionnair­e – has resulted in a broader scope being offered to designers commission­ed to create work for the leading brands. With this deeper pool of references comes a slew of fresh ideas on how to live, work and play that reflect a wide spectrum of cultural, societal and environmen­tal shifts. In the same questing spirit, we profile a few of those whose work embodies where design is (or should be) going: whether that’s Atelier Biagetti’s concept of nomadism, recast in its collaborat­ion with MCM as a new idea of home that embraces technology, or Faye Toogood, whose repurposin­g of folk references for Poltrona Frau breaks with the contempora­ry concept of the ‘luxury furniture designer’.

As well as documentin­g those currently disrupting the establishe­d houses, we examine the roles of three emerging design studios in exploring new ways of working in furniture and design, whether through collaborat­ion, performanc­e or the repurposin­g of industrial materials and processes. We also revisit the lives and careers of two pioneering figures in the design world – Ingo Maurer and Louis Kahn, the latter being recognised at Salone. And we feature two ‘revivals’: one the simulacrum of an unbuilt, site-specific Frank Lloyd Wright house, the other a rebuild of a novel aluminium-clad home that has moved from New York to its present resting place in Palm Springs. And capturing the spirit of the present, we bring you a working wardrobe that, well, works, read the runes around outdoor furniture, and feature nine watches united in their dramatic use of dark hues.

Finally, and by way of a hello, it gives me great pleasure to be rejoining Wallpaper* as Editor-in-chief. I’d like to thank Sarah Douglas for handing on a title in such spectacula­r health – testament to her seven years of exemplary stewardshi­p. The eagle-eyed among you will notice some further changes to the editorial masthead. These new positions are richly deserved; harbingers, too, of a new age for Wallpaper* as it heads towards its quadricent­ennial. Enjoy the issue.

 ?? ?? Newsstand cover
Photograph­y:
Beppe Brancato
Creative direction:
Nick Vinson ‘Pilotis’ console, by Rodolfo Dordoni, for Minotti. Pair of 18th century urn-shaped vases (Walter Padovani).
Bas-relief I (2023), by Sergio Roger (Spazio Nuovo). Fruit platter (1937), by Jean Puiforcat. Travertino Romano Classico panels in matte finish, by Marsotto, see page 254
Newsstand cover Photograph­y: Beppe Brancato Creative direction: Nick Vinson ‘Pilotis’ console, by Rodolfo Dordoni, for Minotti. Pair of 18th century urn-shaped vases (Walter Padovani). Bas-relief I (2023), by Sergio Roger (Spazio Nuovo). Fruit platter (1937), by Jean Puiforcat. Travertino Romano Classico panels in matte finish, by Marsotto, see page 254
 ?? ?? Limited-edition cover Photograph­y:
Julia Sellman
A ‘Karat Blau’ pendant lamp, by pioneering brand Ingo Maurer, which is looking forward to a new age under the guidance of lighting firm Foscarini, see page 158
Limited-edition cover Photograph­y: Julia Sellman A ‘Karat Blau’ pendant lamp, by pioneering brand Ingo Maurer, which is looking forward to a new age under the guidance of lighting firm Foscarini, see page 158

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