West Lothian Courier

Hard to sum up Wan hell of a bonkers ride

Big reveal will divide your emotions

- Malignant Cinemas

Occasional­ly a film comes around that leaves you

speechless.

Fortunatel­y for the purposes of this review, I have plenty to say about Malignant, but you’re unlikely to see a more bonkers movie this year.

Director James Wan (Insidious, The Conjuring) knows how to tingle spines and he does it again here – along with stirring many other emotions.

From the arresting but over-the-top prologue, complete with blood, broken bones and static electricit­y, it’s clear Malignant isn’t your run-of-the-mill horror flick.

The basic plot sees Annabelle Wallis’ Madison paralysed by shocking visions of grisly murders but to say there’s a lot more to it would be an understate­ment of epic proportion­s.

Wan uses his trademark pans and zooms as his camera investigat­es its surroundin­gs and there’s a great eyein-the-sky scene that makes it look like Madison is navigating a maze.

Lots of shots look like they were lit by torchlight, Wan has an uncanny knack for making locations – even a single room and cupboard – expansive, and he films an eye-catching cop-killer chase sequence.

Much of Malignant is Wan’s first stab at a slasher flick, albeit one with a seemingly supernatur­al murderer who is also capable of kidnapping and fashioning a weapon.

The antagonist communicat­es via radio, phone and TV white noise using a creepy voice and up until the third act Wallis is given little to do but be traumatise­d and scream a lot.

Then we have the big reveal... and oh boy, it’s a doozy. Equal parts ingenious and head-smacking, Wan flips his movie – and Wallis’ performanc­e – on its head in stunning fashion.

The last 20 minutes are pure insanity, including a jail cell scene that makes Wentworth look like Chicken Run.

It’s difficult to sum up exactly how I feel about Malignant, and I’m not even sure repeat viewings will make things any clearer.

One thing is for sure, you won’t forget it in a hurry while, no matter what you think of the story and its twists, it’s definitely a film elevated by Wan’s firstclass direction.

●Are you a fan of James Wan’s movies? Pop me an email at ian.bunting@ reachplc.com and I will pass on your comments – and any movie or TV show recommenda­tions you have – to your fellow readers.

 ?? ?? Troubled timesMaddi­e Hasson (Sydney) and Annabelle Wallis (Madison)
Troubled timesMaddi­e Hasson (Sydney) and Annabelle Wallis (Madison)

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