West Sussex County Times

High Sheriff meets museum team

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High Sheriff of West Sussex DrTimFooks­visitsAmbe­rley Museum and learns from the trustees how, through creating a living museum of our local industrial heritage, it has created a dynamic and vibrant community of volunteers.

Entering Amberley Museum feels as though you are entering a time capsule.

As you walk from the entrance across the Village Green, you are very likely to see a 1930s Southdown Bus and hear a carefully-restored steam train making its way along the narrow-gauge railway.

In the background, an old engine chugs, while in another direction, you might hear a wheelwrigh­t tapping a spoke of oak into a sycamore hub or see a bodger creating a chair leg with a wooden lathe. You are drawn in and soon find yourself immersed into a celebratio­n of many of the rural crafts and industries that kept our county working and moving for generation­s.

The old chalk quarries at Amberley, in which this open

museum is situated, were operationa­l for over 100 years until the 1960s and their mortar and cement were transporte­d by river, road and rail across the south east. As this industry came to an end, its wealth of Victorian architectu­re and artefacts were, thankfully, recognised to be worth preserving and the museum was establishe­d in 1979.

Over the years, the museum has expanded dramatical­ly and become nationally

recognised for its industrial railway collection, the de Witt lime kilns and the Southdown bus collection dating from the inter-warperiod. It hasopened a centre for wood turning, a tools and trades workshop and houses collection­s from the South Eastern Electricit­y BoardandBT, withstrong­links to the Worshipful Companies of Paviors and Plumbers.

In the print workshop, you will find an impressive 1856 ColumbianE­agleflat-bedpress and a magnificen­tly complex

Linotype machine used in newspaper production.

Everywhere you go, the exhibits are working. Every workshop is staffed by skilled volunteers, and perhaps one of the museum’s greatest achievemen­ts is that it provides a place for all these highly-talented people to keep their skills alive.

The Covid-19 pandemic has interfered with school groups coming in but Louisa Jones, learning officer, has been developing new

initiative­s to ensure the museum is continuing with its commitment to education.

Inthemeant­ime, theFriends remain very active through the leadership­ofMartinPi­gottand this has undoubtedl­y helped to preserve the powerful sense of friendship and community that greets you when you visit.

Indeed, it is this sense of community that has led to the developmen­t of an ambitious project to encourage those who have become isolated and lonely to participat­e in the life

of the museum. As director Valerie Mills explained, volunteers do not need to have specialist skills but they are greatly valued and quickly find they are able to make new friends. The trustees and their team have been able to ensure that this tremendous asset is on a sure footing for 2021. And I join them in looking forward to the end of the pandemic so that, once again, they can introduce us all to the sights and sounds of traditiona­l Sussex industry.

 ??  ?? Chairman of trustees Richard Vernon, Sarah Fooks, Dr Tim Fooks, vice-chairman of trustees Graham Duxbury and museum director Valerie Mills. Picture: Pete Edgeler
Chairman of trustees Richard Vernon, Sarah Fooks, Dr Tim Fooks, vice-chairman of trustees Graham Duxbury and museum director Valerie Mills. Picture: Pete Edgeler
 ??  ?? The High Sheriff in the wheelwrigh­ts shop with Bob Brotherhoo­d and John Clements. Picture: Pete Edgeler
The High Sheriff in the wheelwrigh­ts shop with Bob Brotherhoo­d and John Clements. Picture: Pete Edgeler

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