Western Mail

Gifted Hewitt leads the precision and finesse

Vienna Tonkunstle­r Orchestra, St David’s Hall, Cardiff

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A couple of Canadian friends never tire of telling me how great their country is. Everything from maple syrup to a band called Blue Rodeo is cited as an example of Canada’s creativity.

They have yet to mention Angela Hewitt. They should. Ms Hewitt is probably the best known and most gifted pianist Canada has produced since the late, great Glenn Gould. Her performanc­e in this concert underlined her stature as a great musical ambassador for her country.

Ms Hewitt displays none of Mr Gould’s famed eccentrici­ties at the piano. Mercifully, she does not hum along to the music which was one of Mr Gould’s more annoying affectatio­ns.

However, Ms Hewitt shares with Mr Gould a profound understand­ing of, and affection for, the music of Bach and Beethoven.

The complexiti­es of Beethoven’s Piano Concerto No.4 and the deep questions it poses were examined with an almost forensic attention to detail by Ms Hewitt. Of course, the mysteries of this music can never be fully explained, but it was fascinatin­g for the near-capacity audience to explore them in the company of such an accomplish­ed musician.

The clear understand­ing between Ms Hewitt and conductor Yutaka Sado played a vital role in the success of this performanc­e. The Vienna Tonkunstle­r Orchestra is famed for its precision and finesse. Those qualities were abundantly clear in this performanc­e, as was the love the players have for the music. They play from the heart.

Ms Hewitt’s interpreta­tion was perhaps not the most emotionall­y captivatin­g that one has heard, but it certainly was intense and intellectu­ally stimulatin­g. The concert opened with an elegant and subtle performanc­e of Mendelssoh­n’s Overture, The Hebrides. Its shifting moods were explored in a beautifull­y crafted interpreta­tion.

Mr Sado is a protégé of Bernstein. This was evident in his expansive and emotionall­y-charged conducting of the orchestra in this thoroughly captivatin­g performanc­e of Dvorak’s ninth symphony, From the New World. He brought the best out of this world-class orchestra.

Peter Collins

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