Western Mail

Jason’s standing up for job he loves most

Comic brings tour to Wales

- Jason Manford is at Swansea Grand Theatre on July 13 & 14; Rhyl Pavilion on July 18; William Aston Hall, Wrexham on July 19 and Venue Cymru, Llandudno on July 28

JASON Manford is a multitalen­ted man. He is equally gifted as a TV and radio presenter, singer, actor and musical star.

But now he’s returned to his first love: stand-up comedy. Muddle Class is his first nationwide tour in some years, and he’s already visited a number of Welsh venues with the show which is now coming to Swansea, Rhyl, Wrexham and Llandudno.

“Out of everything I do, stand-up is the job I love most,” he says. “It’s great to be returning to the freedom of being in charge of what I say and do.”

A naturally talented comic, Manford is one of those rare acts who simply has to walk on stage to have everyone in fits of laughter. He just possesses “funny bones”.

Manford has, of course, enjoyed a hugely successful TV career, starring in such hit shows as 8 out of 10 Cats (Channel 4), The Nightly Show (ITV1), Sunday Night at the Palladium (ITV1), Live at the Apollo (BBC One), Have I Got News For You (BBC One), QI (BBC Two), The Royal Variety Performanc­e (ITV1) and Bigheads (ITV1).

But, he reveals, stand-up holds a special place in his affections.

“What I love about live comedy is that it’s different from everything else I do – TV, theatre, musicals and music. Each night is completely different from every other night.

“Things will happen tonight that won’t happen tomorrow and didn’t happen yesterday. Every night is unique. That’s the magic of live. I just love it.”

The comedian also adores touring around the country and getting to know different places. He laughs that, “I get stir-crazy if I stay in one place too long. My whole adult life has been spent touring, and I love it. I couldn’t do a 9-to-5 job. That would hurt my head”.

Muddle Class is a hilarious exploratio­n of Manford’s confusion about his current social status.

“It came from watching other unnamed comedians chatting about being in the queue at Sports Direct. I was saying to myself, ‘You don’t shop at Sports Direct!’

“So I started thinking, ‘What happens if you have some success as a comedian? Do you have to stop doing stand-up because you are different from other people?’ Of course you don’t. What doesn’t change is your relationsh­ip with your family and friends. There’s still a huge amount of comedy in that.”

As he started to develop this idea in warm-up shows, Manford discovered that it struck a real chord with audiences.

“A lot of people count themselves as ‘Muddle Class’. They find themselves in a place where they think, ‘I don’t know where I belong anymore’. The show is about being in that sort of social muddle.”

What is so entertaini­ng about Muddle Class is that it is a very original take on the subject.

Manford observes: “Most class comedy is about people aiming upwards and trying to get out of the working class. Look at Hyacinth Bucket. But I’m aiming the other way. I’m trying to be perceived as working class, even though my life is now very much middle-class.”

What marks out Manford as a stand-up is the honesty of his work. His material raises such laughter because it is so obviously culled from his own life.

For instance, in Muddle Class, he bravely tackles the subject of his desire to lose weight after he got stuck in a slide at a waterpark.

“Weight loss is something you don’t hear men talking about very often. We feel self-conscious about it. So it’s nice to hear a bloke discussing it.

“The subject transcends gender. Women come up to me after the show and say, ‘I felt like that as well’. I think that section works so well because it comes from a real place. It’s part of me being very honest on stage.”

Another aspect that distinguis­hes Muddle Class – which also features superb segments on why Disney films focusing on the death of a parent are so depressing, why his brother is suspicious of his new-found middle-class inclinatio­ns, political correctnes­s, and speed awareness courses – is his mastery of physical comedy.

He has an uncanny ability to really bring his routines to life.

“One of the things I really enjoy about stand-up is using other skills. I love playing different characters and doing different voices. Otherwise, it’s just one person talking for two hours.

“It’s a much better show if you observe other people and do things in different voices. Then it’s not just me showing off! At

If you’ve got any entertainm­ent news, please contact Kathryn Williams at kathryn.williams@walesonlin­e.co.uk or call 029 2024 3645 or Twitter @KathW80

the end of the show, I feel like doing a group bow because there are so many different characters involved.”

His comedy also stands out because it is not trying to score political points.

“I just want people to have a laugh. I do like comedy with a message. I like satire and clever comedy. But no one goes away from my stand-up show thinking, ‘I had a really good think there’!”

Manford is one of the hardest working people in showbiz. As well as fronting a hit three-hour live show on Absolute Radio every Sunday morning – for which he was nominated as Best Music Presenter at The Radio Academy’s 2017’s ARIAS – he has a primetime show on ITV1, What Would Your Kid Do? This follows on from his successful run presenting ITV1’s Bigheads, which won Best TV Game Show at the 2017 Rose d’Or Awards.

In addition, he has recently released his debut album, A Different Stage, on Decca Records. Drawing on his passion for musical theatre, the Top 10 hit recording includes On the Street Where You Live from My Fair Lady, Hushabye Mountain from Chitty Chitty Bang Bang, Stars from Les Misérables ,and The Impossible Dream from the 1965 hit Broadway musical, Man of La Mancha.

The stand-up also somehow finds the time to run Manford’s Comedy Club with his brother, Colin. Featuring the top comic talent in the country, the club has employed over 300 comedians to play to more than 45,000 people in over 60 different venues around the UK.

But for the time being, Manford is very much concentrat­ing on Muddle Class.

“I know the effort and expense people go to in order to be at my show. It’s about having respect for that. I know how much it costs to pay for tickets, taxis, food and babysitter­s.

“Even if you are a huge comedy fan, you might only go to two or three gigs a year. I realise it’s a very big deal that they have come to see me. I know how rare it is for a couple to be able to have a night out. So the fact that they want to spend it with me is a real honour.

“As a consequenc­e, I want to ensure they have the best possible night and have a really fun time with me for a couple of hours.

“A lot goes into making Muddle Class what I hope is a terrific show. The audience make an effort to be there, I put in the same effort, and together we create a great show. The audience is as important to the show as I am.

“It would be equally rubbish if either of us wasn’t there!”

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