“A step up in performance”
”Anyone well-versed in Rega decks will recognise its sonic stamp – balanced and authoratitive with impressive scale and musicality”
In 1976, three years after Rega’s creation, the Planar 2 launched as one of brand’s very first turntables. Its S-shaped tonearm was replaced in 1984 with Rega’s RB250, and at the turn of the century a brand new version of the deck – fittingly named the P2 2000 – took its place in Rega’s catalogue until 2005.
More than a decade later, the Planar 2 was brought back from the dead, but with the only things existing from the original being the drive belt and the plastic mouldings for the dust-cover lid hinges.
Modish looks
Nonetheless, a picture of the last and current-generation models side by side would make a challenging spot-thedifference puzzle. The only things you’d ring straight away are the acryliclaminated plinth – now supposedly more rigid and, as on the Planar 3, sporting a more modish black or white glossy finish – and the power switch, which now sits on the underside of the plinth. It’s a smartly understated design, and solid build quality is a sign of Rega’s longestablished success at this price bracket.
Less immediately obvious changes include the new 24v low-noise motor, newly designed central bearing, and upgraded platter with a new floating glass ‘Optiwhite’ design. Rega has also designed new feet to make the deck more stable.
Most importantly, the Planar 2 is fitted with Rega’s new RB220 tonearm, which features new ultra-low friction ball bearings, a stiffer bearing housing and an automatic bias setting, making it virtually plug ‘n’ play. That should please newcomers who want to enjoy vinyl with minimal fuss – but do be aware that the Planar 2 doesn’t have a built-in phono stage, so it needs to hook up to a stereo amplifier with one – or you can always buy a separate unit. The Marantz PM6006 (£300), or a dedicated phono stage, such as the Rega Fono Mini A2D (£90), would be a good match.
The set-up is minimal, save for ensuring the speed is set correctly and fixing the weight to balance the tonearm. Once the tonearm is in a oating position, setting the Carbon MM cartridge’s tracking force to the recommended 2g simply entails turning the weight a whole circle (half a turn per gram).
While we’d prefer numbers on the weight for guidance, we do find it reasonably accurate. Needless to say, buying a stylus gauge to double-check the measurement would be money well spent. It’s important that the Rega sits dead flat on a tabletop or wall bracket, too.
Punchy bass
We spin SBTRKT’S Wonder Where We Land album and the Planar 2 finds its groove straight away. Anyone wellversed in Rega decks will no doubt recognise its sonic stamp: balanced and authoritative with impressive scale and natural musicality. It gets us toe-tapping to New Dorp, New York the moment the first beat thumps into being.
The Rega delivers the bass line with punch, its low end earning its wings for handling the depth and texture of the guttural bass guitar in Gon Stay. And it has the agility and momentum to bounce along to Ezra Koenig’s perky vocal accompaniment. There’s insight into his playful quips, and a fitting solidity to the more thickset monologue that reveals the Rega’s midrange versatility.
Any hi-fi kit that’s going to get the best of SBTRKT has to be fairly methodical in its handling of flittering tinny beats, slicing percussions and frenetic rhythms, and while the Rega has the necessary precision and rhythmic know-how to coordinate them accurately in the soundstage, its delivery isn’t without enthusiasm.
The Rega is big-sounding enough for the lush electronic soundscapes laced with synth chords to sound bold and atmospheric, too. It gets into a Saturday night feeling with the album’s pop melodies, and uptempo drums are energetic and punctual in the mix.
It’s equally at home with the intricate, nuanced arrangements of Miles Davis’s Kind Of Blue too, rendering the dynamic subtlety and timing to grasp the music’s subtly shifting manner, and packing a single wistful trumpet note with texture and information.
High-performing
The ability to tie all the musical strands together and paint them on a precise and spacious canvas seems to come easy to the Rega, and in that aspect its delivery just works.
It’s a proper step up in performance from the RP1 too. All this means that the Planar 2 is a high-performing deck at a competitive price.
VERDICT The Regar Planar 2 furthers the lineage of a classic deck with great sound and simple set-up