HANDS ON Some time alone with Technics’ updated classic DJ deck? Yes please
When we heard of a new and affordable addition to an iconic range of Technics turntables – we jumped at the chance of some hands-on time
The Technics SL-1200 is back. Again. The famous turntable range, which was initially launched as an audiophile record player but was then quickly adopted by professional DJS, is back for 2019.
Following the release of high-end, hi-fi turntables over the last few years – with eye-watering prices – Technics has now entered the market at a more affordable level. The matte black deck (there’s no silver model) will be known as the SL-1210 MK7 in the UK and EU, and the SL-1200 MK7 in Japan and the US, and will cost £899 (€1000 / $1200), upon its launch this summer.
With its classic, minimal design and sky-high reputation among enthusiasts, the new SL-1210 MK7 is sure to get a lot of attention. So, what’s new? And is it worth the hype?
Build and design
The SL-1210 MK7 is being built in Malaysia (as is the SL-1500C), rather than the factory in Japan where the high-end decks are made, and uses new parts and designs throughout. At first glance, the MK7 looks instantly familiar to anyone with a passing knowledge of Technics turntables. While other decks were increasingly over-designed with piled on features, the SL-1200 kept it simple.
Ten years may have passed since the MK6, but Technics has seen no need to change the design, complete with S-shaped aluminium tonearm, and familiar button layout. However, the arm and buttons are now all in sleek black.
The familiar pitch control is on the right, and gives you +8/16 per cent change. The stop/start button is bottom left, along with buttons for 33 ⅓ and 45rpm, plus the ability to switch to 78rpm. There’s a strobe-light indicator, which now can be switched from red to blue, and a new push-down white LED stylus illuminator. Around the back are detachable power and phono cables.
Visually, that’s about it. And rest assured it looks great – fans of the design will definitely love the matte black finish. There’s no silver for now, but we get the feeling there might be some day.
The SL-1210 MK7 doesn’t feel as solid as the more expensive SL-1200GR and SL-1200G models. The stop/start and speed buttons don’t have the same reassuring response nor quite the bomb-proof feel, and the LED stylus illuminator, which you can pop up and down, felt a little flimsy on the sample we saw. There was no legacy SL-1200 model on hand for a direct comparison
but we’ll look to further clarify the differences in the build.
We do know the aluminium die-cast chassis is integrated with a ‘special material consisting of ABS mixed with glass fibre’, as opposed to the aluminium and BMC on the premium models or the original TNRC (Technics Non-resonance Compound) found on earlier DJ decks. At 9.6kg, the deck is lighter than the SL-1200GR (11.5kg) or the MK6 (11.7kg). Deadening rubber remains on the underside of the deck as well, and there are four solid feet.
Inside, a new coreless direct-drive motor has been designed, removing the iron core to eliminate ‘cogging’ (variation in the rotation speed) and to keep a super-smooth rotation. The torque performance is said to match that of the MK5, with the spec measuring 1.8 kgf·cm compared to 2.2 kgf·cm on the more expensive SL-1200GR.
Features
Technics is adamant it didn’t want to make unnecessary changes to the SL-1210 MK7 when it comes to bells and whistles, but there are a few new additions to the feature set. First is Reverse Play, which by holding one of the speed buttons and then tapping start/stop, will reverse the direction of the deck. It’s a similar technique for accessing 78rpm.
You can also adjust the starting torque and brake speed, in part thanks to motor technology refined in the development of Blu-ray drives. This adjustment is a little more complex, and involves removing the platter to access some switches buried within the turntable. Most people are unlikely to concern themselves with this adjustment, but it does allow professionals some extra room for experimentation.
If you’d like to further customise your SL-1200 experience, this hidden set of adjustments is also where you’ll find the switch for changing the LED strobe light colour, with the option of either red or blue. Talking of lights, the stylus illuminator has been upgraded for better visibility of the stylus tip compared with previous models.
Detachable phono and power cables are here and will be very welcome for those familiar with previous generations’ fixed plugs, or if you want to upgrade the bundled wires.
Performance
As always, first impressions on a busy showfloor are only ever first impressions. Conditions are far from ideal, time is short, and there’s no possible way to compare with similar products. But of course, we still took the opportunity to get our hands on the new deck and later to hear it in action on a Technics reference system.
If you like the Technics styling, as many people certainly do, then you can’t go wrong here. The deck looks great and the black finish is smart. There will, no doubt, be plenty of clamour for a silver model, but nobody should be disappointed with this version.
Seeing the deck next to the more expensive SL-1200G (£2499/$3800) and SL-1200GR (£1299/$1699) model, and having a chance to compare the relative builds, there’s no denying this model feels like the cheaper turntable. That should come as little surprise, as it is a lot cheaper after all.
It’s hard to tell whether this is as robust as previous generation DJ decks, such as the MK6, but our initial impression is that the buttons and LED indicator don’t feel quite as solid. How the platter performs in use remains to be seen (we’ll dust-off our scratching skills when we get the deck in for review). Several high-profile DJS from around the world were reportedly involved in testing the design and development, so that should put minds at ease.
Sonically, the Technics room certainly sounded great. Technics’ CTO, Tetsuya Itani, says the deck sounds “very similar” to the new SL-1500C, but there’s a clear step-up in sound as you move up through the more expensive hi-fi decks. We heard the new SL-1200 MK7 and then the SL-1500G, and the latter comfortably brought more detail and scale to the sound – but the 1200 sounded wellbalanced and musical in isolation.
Initial verdict
The new SL-1210 MK7 has, predictably, got many people very excited indeed. It’s an iconic slice of sonic history, and those looking to revisit the glory days of Technics DJ decks may be more than satisfied simply to see that a new model, aimed at the DJ audience and coming in at a more affordable price, has arrived.
The trademark design is enhanced by some small updates to the functionality, so we only hope the build and performance does the deck justice when the finished article lands in shops around the world later this year.
“Those looking to revisit the glory days of Technics decks may be happy to see a new model, aimed at the DJ audience and at a more affordable price”