What Hi-Fi (UK)

Confused about the difference between active and passive speakers? Let us explain ....

Confused about the difference between active and passive speakers? It’s all to do with the signal path, the supply of electrical power and the order in which the music signal is processed. Let us explain.

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In their simplest form, traditiona­l stereo hi-fi systems consist of two boxes of electronic­s – a source component of some sort and integrated amplifier – and a pair of passive speakers. But if you break down the signal path it can be split into a greater number of distinct sections, most of which are lumped together in this simple set-up.

Choose your source

First, there’s a source component, which is the piece of kit that plays the music. This can be a CD player, music streamer, record player, or even a computer or phone. Next we have a preamplifi­er section; this switches between sources and controls the volume level. If you have a record player, you’ll also need a phono stage, to increase the output from your cartridge to line level and equalise the signal before feeding it to the preamp circuit. We’ve omitted the phono stage from our diagram to keep things simple.

Now you need muscle, something that can take the line-level signal from the preamp and increase it enough to drive a pair of speakers. Say hello to the power amplifier. But the power amplifier isn’t directly connected to your speaker’s drive units. Its output has to pass through a crossover filter network that in a two-way speaker splits the signal into just high frequencie­s (to go to the tweeter) and everything else for the larger mid/bass unit.

If you have a three-way speaker, then the crossover splits the sound up into three parts – treble, midrange and bass. This crossover network doesn’t need a power source to work, and in that sense it is considered passive.

“Active speakers are less prone to losses and distortion, compared with a passive filter alternativ­e”

That’s more or less the signal path in a convention­al passive set-up. In an active system, things are the same until after the preamplifi­er stage.

Preamplifi­er stage

The signal from the preamp goes into an active crossover network. While this performs the same job as the crossover in the passive set-up it works at line level (around 2.0V) rather than speaker level (typically 15-35V).

Working at lower signal levels means the components used can be optimised for precision rather than power handling. Such a design would normally use active components, and on more sophistica­ted products, some form of signal processing (whether digital or not) to get the best out of the drive units. The result is a filter network that is (potentiall­y) way more accurate in its operation, and delivers a better-integrated and optimised sound.

Each separated frequency band (way) of this line-level signal is then sent to a dedicated power amp that feeds as many drive units as are responsibl­e for delivering those frequencie­s.

Active advantage

On paper, active speakers have a whole host of advantages. Their crossover design gives the designer much greater control over the signal and is far less prone to losses and distortion when compared with a passive filter alternativ­e.

As the power amplificat­ion is integrated into the design, it can be optimised for a specific drive unit. Because it’s normally built into the box, there’s no need for long lengths of speaker cable between the two, avoiding any distortion or loss caused by the wires. Simply put, there’s more grip and better control.

These benefits would seem to give active speakers a generous edge, but there are also downsides. There aren’t many speaker manufactur­ers that can make amplificat­ion, so the usual path is to buy in modules from an OEM supplier. There’s nothing wrong with this in principle, as some of these designs are excellent, but things often fall short when it comes to implementa­tion. The result is that the sound performanc­e of the final active speaker is rarely as good as it could be.

Active speakers suffer in terms of perceived value on the shop floor too. Their electronic­s tend to be hidden, yet there will be an obvious price premium over similar-looking passive alternativ­es. Break down the respective costs and it usually turns out that the active option is the better-value route, as it consists of multiple power amplifiers – a simple two-way speaker pairing still needs four mono power amps – whereas a passive set makes do with a single stereo amp to work its four drive units.

Active designs also limit the amount of upgrading possible. You can’t just change the power amps, for example – the whole lot has to go. That leaves less scope for enthusiast­s to mix and match. You either accept the power amp/speaker combinatio­n as a whole or you don’t.

Active? Or powered?

While all active speakers are considered powered, not all powered speakers should be called active. What’s the difference? A powered speaker has the same signal path as a passive set-up but the amplificat­ion (often both pre and power amp) will be hidden in one of the speaker enclosures. There will also be a speaker cable link between the master speaker (that has the amplificat­ion) and the slave (passive) partner.

Most affordable powered models will tend to use such a configurat­ion. Such an approach has some of the neatness of truly active operation but few of the technical benefits.

“Active speakers suffer in terms of perceived value. There is a price premium over passive alternativ­es”

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 ??  ?? Acoustic Energy’s AE1 Actives are a prime example of active speakers
Acoustic Energy’s AE1 Actives are a prime example of active speakers
 ??  ?? The electronic­s of active speakers are usually hidden round the back
The electronic­s of active speakers are usually hidden round the back
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