Samsung QE65Q95T
At first glance, Samsung’s 2020 flagship 4K TV may cause a bit of confusion, but get it up and running and this 65in set proves to be a brilliant performer
Samsung has made some odd decisions regarding its 2020 TV line-up and, while we don’t want to get bogged down in model numbers right at the start of this review, it’s worth unpicking the company’s strategy in order to figure out where the QE65Q95T sits in the range.
Last year’s 4K flagship, the Q90R, initially appears to have been replaced by not one, but two models: the Q90T and this Q95T (in fact, many countries, the US included, get only the Q90T). The main difference between the two models is the One Connect system, which sees all connections routed through a separate box – the Q95T has it but the Q90T goes without.
However, Samsung says that the Q90R has in fact been replaced by the Q800T, which is an 8K model. So, we should therefore consider the Q95T we are reviewing here as a replacement for the Q85R set from last year.
Confusing strategy
It’s confusing to say the least. If Samsung is so keen for us not to consider the Q90/95T as a replacement for the Q90R, then why not simply call this model the Q85T and retire the Q90 model number? It does also strike us that if a marketing strategy takes this much explanation, it’s probably not a great strategy overall.
So, what is the Q95T, really? It’s the top 4K TV in Samsung’s 2020 TV range, but it’s also in some ways a downgrade on last year’s top 4K model, and it’s hard not to be disappointed by that prospect.
On the other hand, its starting price is much lower than that of the Q90R and, crucially, it’s an excellent performer in its own right.
Fewer dimming zones
This is, of course, a QLED model with a direct, full array backlight. But while the Q95T is rated at 2000nits for peak brightness, as per the Q90R, the number of dimming zones has been slashed to something closer to that of the Q85R.
Samsung doesn’t release specific numbers, but we understand the Q95T has only around a quarter of the number of dimming zones of the Q90R, which could have a big impact on contrast. The Q95T has an anti-reflective screen, though, and the wide viewing angle tech that Samsung introduced last year.
There’s a new version of the Quantum Processor 4K too, which brings new features such as Ultimate Precision Processing, designed to reduce banding in lower resolution content, and upgrades to existing features such as Texture Creation (for increased perceived detail) and Active Tone Mapping (for highlights that better combine punch and authenticity). The sound system has had some serious attention, too, with the Q95T boasting eight drivers – two more than the Q90R and four more than the Q85R. Samsung refers to this arrangement as 4.2.2, but these numbers shouldn’t be interpreted as if they were a Dolby Atmos system. Instead, we’re dealing with four midrange drivers, two woofers and two tweeters.
Two of the mids are positioned along with the two woofers at the bottom of the chassis and the other two mids and the tweeters are at the top. Samsung says this set-up, which it calls ‘Object Tracking Sound’, produces a bigger, more open and more even sound. While that sounds like Atmos, it’s important to note that the TV doesn’t actually reproduce Atmos soundtracks, though it will pass them from an external source or integrated streaming app to a dedicated sound system using HDMI EARC.
Meeting HDMI 2.1 specs
Samsung’s 4K TVS continue to lack official HDMI 2.1 certification, but the company says that they meet the spec in every way a 4K TV can. So, on top of EARC, you can expect support for VRR (Variable Refresh Rate), ALLM (Auto Low Latency Mode), 4K at up to 120Hz refresh rates and dynamic metadata (Samsung uses HDR10+ but not Dolby Vision). The only part of the HDMI 2.1 specification that is missing is support for 8K, which makes sense for a 4K TV.
The four HDMI sockets are housed (along with three USBS, an optical audio output, and both aerial and satellite sockets) in the One Connect box, which is connected to the display by a single, almost impossibly thin cable. Even power is sent this way, with the screen itself not needing a direct connection to a wall socket.
We’ve long admired the technical elegance and neatness of the One Connect system but, if you’re less enamoured, you can save £200 and buy the Q90T instead – Samsung says that the performance is identical. The remote control is the only other difference between the two models: the Q90T gets a basic, plastic zapper, whereas the Q95T comes with a stylish, stripped back, silver device that also boasts a built-in microphone for operation via Bixby, Alexa or (soon) Google Assistant.
Samsung’s Tizen has been our favourite operating system for a while, so it’s not terribly surprising that it has barely changed for 2020. It has been changed from white to a pleasant shade of blue to help reduce eye strain, and the icons have been reduced in size so that more can be displayed at once, but that’s about the sum of the upgrades.
The app selection remains the same, too, which is to say that it’s exemplary. Admittedly, BBC iplayer and Now TV are missing from our sample, but Samsung says this is due to receiving an early version for review and that both will be present once the set is available for purchase. Once added, they will join the likes of Amazon Prime Video, Netflix, Apple TV, Disney+, ITV Hub, All 4, My5, BT Sport, Plex, Spotify and Tidal. Airplay 2
is also on board, giving Apple users another way to get audio and video content to the TV.
If you were to place the Q95T and Q90R side-by-side, you’d be hardpressed to spot the difference. While dimensions vary slightly (the Q90T is thinner by 5mm), both have the thick, flat edges that make the TV look like a large, high-tech picture frame when wallmounted, and a soundbar-friendly, Apple imac-like pedestal stand.
Setting an example
Before settling in for movie night with the Q95T, it’s important to tweak some settings, first of which is to turn off the power-saving features – they are in the menus under the ‘Eco Solution’ heading. And, while the Adaptive Picture setting (in the Intelligent Mode menu) is better than before in the way it adjusts the image to ambient lighting conditions, our preference is still to switch it off.
If you’re watching HDR content and using the Standard preset, there are really only a couple of other settings that you’ll likely feel the need to experiment with: Local Dimming and the motion processing. With the former, our preference is to switch from Standard to High, even though doing so disables the Active Tone Mapping. Not only does High produce a slightly punchier picture, we also notice some flicker to bright objects on dark backgrounds, such as the names in a credits sequence, when Standard is selected.
The default motion processing settings are a bigger problem, as they produce noticeable shimmer when faced with even slightly unpredictable movement. That said, the TV’S native motion handling is vastly better than before, so turning the motion processing off entirely or opting for the Custom setting produces excellent results.
We opt for Custom, as it takes the native naturalism of the TV’S handling and adds smoother, sharper pans without introducing any shimmer or artificiality. In fact, this is probably the best motion we’ve seen in recent years from a TV that isn’t a Sony.
Having made our tweaks, we slot the
It 4K Blu-ray into our Oppo UDP-203 and are instantly delighted with the results. The brightest parts of the Q95T’S picture are noticeably less bright than those of the Q90R, presumably because the comparatively low number of dimming zones means it has to be more cautious in terms of contrast, but there’s still plenty of punch, particularly with Local Dimming set to High.
There’s also a degree of authenticity and naturalism to the picture that the Q95T’S predecessors lacked. It’s in the colours, which have a rare depth and richness to them; the edges, which are somehow sharp and smooth at the same time and subsequently create a picture that’s fantastically solid without appearing forced; and the detail, which is clear and textured but never exaggerated.
Black levels are excellent, too: almost as deep as those you’d get from an OLED television and with more than enough detail to dig up the slimy textures and reflections in the sewers beneath the streets of Derry. There’s no hint of blooming, leakage or any other inconsistencies to the backlight, either. No element of the picture is distracting at all, leaving you free to be engrossed with what you’re watching.
We switch to the 1080p Blu-ray of Drive and the Q95T continues to deliver, although we do make some extra tweaks here, reducing Sharpness, switching the Contrast Enhancer to High and reducing Shadow Detail. The resulting image is delightful, combining plenty of punch with deep, contrasting blacks and colours. It’s a rich and vibrant picture, but that effortless naturalism remains and skin tones are well judged. Detail levels are superb again, with Bryan Cranston’s characterful face resolved with every hair and wrinkle intact.
Solid image
This is once again a solid and threedimensional image that’s mercifully free of any obvious edge enhancement. Motion handling continues to impress, too. Drop down to standard-def and the Q95T even manages to make The One Show look decent. Considering the low-resolution signal, the image is clean, controlled and vibrant without being overly vivid.
Serious gamers will also be delighted to read that Samsung’s 2020 televisions have even less input lag than their predecessors. We’re not sure they needed to be much quicker than before, nor that many will notice the difference, but the figure of 10ms will at least see Q95T owners win that particular round of TV spec Top Trumps. There are a number of game-specific picture features to experiment with, too, although we largely prefer those left off.
“The Q95T is an improvement on the Q90R (that it doesn’t quite replace) in practically every way. Its performance is richer, more solid and more natural”
Samsung’s new, eight-driver sound system is a solid upgrade. The soundstage is broader, fuller and more spacious than before, and there’s decent weight and dynamism. It all combines to make movie soundtracks more involving and exciting, but there’s no lack of clarity or focus when watching everyday content such as the news.
Shouting match
That said, the audio gets a little shouty when you turn up the volume, and there’s still a slight artificiality to the bass that TVS with physically larger woofers don’t suffer. This is undeniably a step in the right direction and by the standards of TVS at this price, the Q95T delivers a good audio performance, but we’d still recommend partnering your TV with a dedicated sound system if you can.
Samsung has chosen to focus even more on 8K TVS this year, to the extent that while the Q95T is the best 4K TV the company makes, it’s not the best 4K TV that it could make. That’s disappointing, but this is a great TV in its own right.
It’s an improvement on the Q90R (that it doesn’t quite replace) in practically every way. It doesn’t go quite as bright in real terms, and HDR images sizzle a little less as a result, but its performance is richer, more solid and more natural. It’s also a significant step forward in terms of motion and sound.
Crucially, these improvements come at a lower price: the Q95T is a good deal more affordable than the Q90R was at launch. That said, this is the first 2020 TV we have reviewed and most manufacturers haven’t even revealed their pricing yet. Samsung may argue that the Q95T isn’t intended as a rival for LG’S CX OLED, for example, but if the two televisions turn out to be similarly priced (as we suspect they might be), then we’re going to consider them against one another.
But that’s a task for another day. In the here and now, the Samsung QE65Q95T is an excellent TV, and if it represents what the company can do with one hand tied behind its back, it bodes very well indeed for 2020 TVS in general.