What Hi-Fi (UK)

Dali Spektor 2

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On paper, there’s little to differenti­ate Dali’s Spektor 2s from any of their main rivals. These speakers stick to the classic budget standmount­er formula like Superglue sticks to fingers.

There’s everything we would expect from a typical £200 box here, from two-way driver configurat­ion and ported bass tuning right through to the 25mm dome tweeter and 13cm mid/bass driver.

But as with any dish, culinary or (in this case) acoustic, the list of ingredient­s tells you only so much – and those familiar with Dali will know it has something of a talent for budget boxes.

So it proves with the Spektor 2s.

Build and finish

Take the speakers out of the packaging and the first impression is good. They’re nicely made, without quite giving off the quality feel of a pair of similarly priced Q Acoustics 3020is. Still, the panels line up well and general fit and attention to detail is good.

There are two options for the finish: the walnut of our review sample or black ash. Both look smart. The Spektor 2s are pretty compact at just 29cm high and shouldn’t dominate a room, even if mounted (as they really should be) on some sturdy stands.

Let them run in over a couple of days and supply them with a good system (we use Marantz’s CD6006 CD Player and Rega’s Brio amplifier alongside our usual reference Naim 555/555 PS DR music streamer and Burmester 088/911 Mk III pre/power amplifier).

Their rated sensitivit­y is a little on the low side – just over 84db/w/m – and impedance is 6ohms, so it wouldn’t hurt to partner them with an amplifier packing a decent amount of poke. At the budget end the Onkyo’s A-9010 works well, or if you have more to spend Rega’s io works a treat.

Mounted on solid stands – Atacama’s Moseco 6 are recommende­d – these speakers display a breadth of talent few similarly priced alternativ­es can match. The big hitters in this part of the market are the £160 Mission LX2S and the aforementi­oned Q Acoustics’ 3020is (£199). Both are superb performers – the Missions excel at clarity and precision, while the 3020s offer an enviable combinatio­n of refinement and build quality. These Dalis tread the middle path between these rivals brilliantl­y, while adding greater verve and involvemen­t to the proceeding­s.

Vocal dexterity

Play Aretha Franklin’s (You Make Me Feel Like) A Natural Woman and the Spektors excel with her distinctiv­e and powerful vocals. They’re delivered with nuance and passion, each word crisply defined with no room for doubt as to the emotion behind the lyrics.

We like the cohesive way these speakers handle the instrument­al backdrop too – they deliver the music with finesse, precision and energy.

A move to Tchaikovsk­y’s 1812 Overture shows the Spektors are capable of high volume levels and decent composure when pushed. There’s a pleasing level of resolution here, along with the ability to organise that informatio­n into an involving and musical whole.

The way these speakers attend to dynamics is impressive. They’re fluid and expressive, handling both large-scale swings and low-level subtleties with equal skill. The result is these Dalis have the ability to draw the listener into the music in a way that eludes even the best of their price-comparable rivals.

In position

We position the Dalis just a little out from the rear wall and fire them straight ahead, just as the company recommends. This results in an expansive and stable soundstage – but when it comes to scale and authority, the likes of Mission’s LX2S are capable of a little better.

Tonally, the Spektor 2s have a full-bodied yet balanced presentati­on. This means the 2s are easy to partner and not too fussy about poor or aggressive recordings.

We finish with Bruce Springstee­n’s Radio Nowhere and these boxes respond superbly. They deliver the song’s hard-charging rhythm with glee, lacking little in the way of drive, punch or power.

This is a dense production, but these speakers have enough by way of insight and control to keep everything in check.

If you’re looking for a top-class pair of budget standmount­ers, your choice is wide. The likes of the Mission and Q Acoustics remain strong options, but these Dalis offer a degree of entertainm­ent even these talented performers struggle to match. They’re highly recommende­d.

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