Wishaw Press

Denzel delights but story drags

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laying waste to some goons using a teapot with Jason Bourne levels of efficiency.

From there we discover that, since the events of the previous flick, Mccall has upped sticks to Massachuse­tts, where he works as an Uber driver.

It’s a job that fits in well with his helping the helpless ideology and seeing Mccall handing out some bone-cracking justice on rich young men who have drugged and raped a woman is a real crowd-pleasing moment.

Fuqua does a fine job of framing his lead’s hyper-senses and forensic eye for detail; most of the action is quick-fire, close-up-shot takedowns and there’s no quips or showing off from Mccall.

One passionate spiel from Mccall – one of the only times he ever raises his voice – is reminiscen­t of Washington’s Oscar-winning turn in Training Day, which Fuqua also helmed.

Take Washington out of this sequel, though, and you would be left with a pretty generic thriller with, apart from the impressive Ashton Sanders’ Miles, thinly-drawn characters; Bill Pullman (Brian) in particular will never take home an easier paycheck.

Thankfully the urgency picks up during an entertaini­ng, gripping last half-hour that finally sees everyone cooking with gas.

A cool, tense scene in the suburbs kicks the climax off before a literal and figurative storm brews.

If only the previous hour-and-a-half had been as gratifying, Washington’s first sequel could’ve more than equalled its predecesso­r.

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