Racing favourite

From artists to horse racing fans, Wetherby has proved a magnet for all kinds of people, writes Phil Penfold.

Pictures by James Hardisty.

Film historian James Clark once observed that naming a film after a country, city or specific location had “potential for being a great branding opportunity”. He cited Casablanca as being arguably the greatest example and went on to list other communities, large and small, that have found themselves as film titles including Philadelphia, Fargo and Notting Hill. There’s one movie, however, that didn’t get mentioned. It’s David Hare’s 1985 film, Wetherby. It starred our very own Dame Judi Dench and Vanessa Redgrave, along with the likes of Ian Holm, Joely Richardson and Tim McInnery.

It’s a mystery drama and it’s suggested that Hare chose the title and location having used the branch of the British Library in nearby Boston Spa for research purposes in earlier projects, and stayed in Wetherby during these visits.

The film would probably have been screened at Wetherby’s Cinema on Caxton Street. It is officially the Wetherby Film Theatre, and has been celebrating celluloid in this location for over a century. It first opened in 1915 but there was hardly time for it to screen a few “flicks” before it closed again, so that it could be used for billeting troops going off to fight in the trenches.

It was sold to a Leeds-based consortium, who changed the name to The Raby Picture House. Today, the cinema is much-loved. It’s had quite a few ups and downs – it saw bingo, and then a few years of closure – but is now seen as a valuable community asset.

Much of the land in and around Wetherby was owned by the Cavendish family, and they had considerable input into how the town was developed, and what it should look like. And then, rather abruptly, the Cavendish link was severed. The sixth Duke of Devonshire washed his hands of the town in 1824, and, apart from a single house, sold the lot – and used the money in maintaining the upkeep of his seat at Chatsworth.

When the scribes taking notes for the Domesday Book turned up, they wrote the town’s name as Wedrebi – not so far from what we pronounce today. In the Anglo-Saxon, that meant “settlement on the bend of the river”, and that was just about right.

The river is, of course, the Wharfe, and picnics on its little beach and grassy area near to the waters and adjacent to the bridge (Grade II listed) are hugely popular to this day. The right to hold a market in Wetherby was first granted in 1240, and that was a deal with the Knights Templar, who held land hereabouts. It still goes on, centuries later, every Thursday, and there’s also a farmers market every second Sunday of the month.

Wetherby is a floral place, priding itself on its involvement with the Britain in Bloom movement, as well as many other similar competitions, and it is also home to regular Artists Around Wetherby events.

It’s a town and full of contrasts and quirky facts. On the one side there’s the Thorp Arch Trading Estate, which offers employment to many residents and on the other there’s the restrained Palladian elegance of nearby Bramham Park.

The odd thing about this wonderful mansion is that no-one really knows who designed it. Some experts believe that it was the work of its first owner, a young man called Robert Benson. He’d been on a Grand Tour, and had been mightily impressed with the buildings he’d seen in Italy. He returned to get things rolling in about 1700. He obviously worked with a talented draughtsman, but what emerged is spectacular.

He didn’t just concentrate on the house and its interior, his vision went further, and the landscaped grounds became just as lovely. Over the years, many “follies” were placed here and there and today they are of such special interest that they are Grade I listed (as is the house), which is a pretty remarkable accolade.

Wetherby is home of the original Wetherby

Whaler (the acclaimed fish and chip shop chain), and that’s not so far from an intriguing Georgian bath house in Jubilee Gardens, where gents of quality used to go for a refreshing dip in pretty icy waters.

Among its notable visitors was J W M Turner who sat on the banks of the Wharfe and painted the view.

Not many miles away was the only

“Stone Frigate” outside London – a naval establishment based not in a port or by a navigable river, but on land. The Admiralty seemed to have had a bit of an identity crisis when deciding on a permanent moniker for the place, for over the years it was called HMS Cabot, Demetrius, Rodney and Ceres. Someone who probably departed the town without any regret must have been the first curate