Yorkshire Post - YP Magazine

Handmade tale

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This fabulous kitchen was an investment buy but it will stand the test of time and looks perfect in this historic home near Hebden Bridge. Sharon Dale reports.

Tackling a full restoratio­n of a listed building is not for the faintheart­ed because of the stress it will inevitably bring, usually due to unforeseen issues that often send a project soaring well over budget. It takes a certain personalit­y type to weather the storms and remain upbeat, which is why Wendy Walker proved to be the perfect fit for a Grade II-listed former yeoman’s house that was in a very sorry state.

She and her fiancé, Thomas French, bought the property three-and-a-half years ago and were excited rather than fearful at the prospect of bringing it back to life. “I grew up with building projects because my parents renovated properties and Thomas and I had done renovation­s before this one. I’m not daunted by them. It’s something I enjoy,” says Wendy, a sunny-natured and unflappabl­e mental health nurse with a passion for interior design.

The 16th century, stone-built house is close to Hebden Bridge and captured the couple’s hearts thanks to its period features and long-range views over Hardcastle Crags.

“It needed a lot of work because it hadn’t been touched since the 1960s and it hadn’t been lived in for 10 years when we bought it,” says Wendy.

“It needed everything from a new roof down but I wanted that because taking the building back to a shell allowed me to start completely from scratch when designing the interiors.”

Knowing the spend would have to be substantia­l and keen to be on site to be hands-on with the work, Wendy and Thomas lived in a static caravan in the garden with their two children in order to cut costs.

“In winter it got down to minus 5 degrees and we lived in the caravan for a year until the house was habitable,” says Wendy.

Knowing that the historic house would be their long-term home, she and Thomas have invested heavily in getting everything just right and in future-proofing the property.

That included digging out the concrete floors and a foot of clay beneath so they could install a damp-proof course, underfloor heating and insulation.

Everything has been beautifull­y restored or replicated with loving attention to detail.

Wendy’s gift for design is evident throughout the house and all the rooms look sensationa­l but the pièce de résistance is the bespoke kitchen, a major investment that has paid off.

“In my first house the kitchen cost £1,500 and this was an awful lot more but I really wanted handmade wood cabinetry because it’s what the house deserved,” she says.

“It has been a great investment because the quality is so good and the design is timeless so it will last a lifetime.”

The kitchen is by Hebden Bridgebase­d family firm Drew Forsyth, which is respected for its craftsmans­hip and attention to detail.

“We also wanted to support a local business and they are competitiv­ely priced,” says Wendy, who worked with the firm’s kitchen designer Leigh Topping on the layout and on her wish list, which included a circular breakfast table and a small island.

“Leigh was great because at the beginning I was stuck in the mentality of the flat-pack kitchens I’d been used to but he showed me that so much more was possible design wise with bespoke cabinets and that I didn’t have constraint­s because uneven walls and beams weren’t a problem,” says Wendy, who sourced the olive-coloured limestone flooring, the natural granite worktops, appliances and glass splashback­s herself.

She also invested in good quality appliances, including a Rangemaste­r Elise 110 dual fuel range cooker, an Adobe hot water tap, a Montpellie­r wine cooler and a Fisher & Paykel integrated fridge freezer. The latter was £3,000 but deemed well worth it as it looks unobtrusiv­e behind cabinet doors and holds enough to feed the couple and their family.

Adept at painting, Wendy got Drew Forsyth to prime, undercoat and fit the cabinetry while she applied the top coats.

I’ve learned not to be held back by fear about colours because you can always paint over them.

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