Yorkshire Post

REGION’S GAME FOR A LAUGH

Fringe to unearth comic talent for Yorkshire

- DAVID BEHRENS COUNTY CORRESPOND­ENT ■ Email: david.behrens@jpress.co.uk ■ Twitter: @yorkshirep­ost

A YORKSHIREM­AN walks into a bar... but the joke has no punchline, because as the wraps came off perhaps the biggest comedy festival outside Edinburgh, the funniest feed line was ‘why are there so few Yorkshire comedians?’

The man behind the Great Yorkshire Fringe owns Britain’s only comedy museum, but the festival has a German top of the bill. And although it hosts a contest to find a rising star, home-grown talent is thin on the ground.

“Frankie Howerd was born in York, wasn’t he?” said Martin Witts, director of the festival, which takes over much of that city for 17 days from July 21. Howerd was born at York’s City Hospital but he was brought up in London. Richard Herring, one of the big names at the Yorkshire Fringe, hails from Pocklingto­n but was raised in Somerset.

There are a few comedy greats from the broad acres – Ernie Wise, the Chuckle Brothers, Barry Cryer and Michael Palin – but the number pales into insignific­ance next to those from across the Pennines. Henning Wehn, the popular German comic familiar from most of TV’s panel games, is one of the headline acts in York – his third fringe there. The American singer Curtis Stigers is another marquee name in an event which encompasse­s theatre, cabaret and music as well as comedy. The 1,500-seat Barbican will this year host some of the shows.

The festival was dreamed up by Mr Witts, who was born in York and who, unlike Howerd, never left, despite having an office in London. He and his wife, Lesley, had a boat on the river for 10 years and now live in Fulford.

“I started at the York Theatre Royal as a carpenter,” he said. “I did a tour of Seven Brides for

Seven Brothers and then went on to Glyndebour­ne, but I fell off the roof there.”

He moved from set-building to production and looked after shows for Les Dawson, Paul O’Grady and Russ Abbot, as well as programmin­g acts at EMI’s old venues in Blackpool. Now his clients include Bill Bailey and Stewart Lee, and he owns London’s Leicester Square Theatre and the Museum of Comedy, housed in a Grade I-listed building next to the British Museum. “It’s like the Hard Rock Cafe of comedy,” he said of the museum. “We’ve got Tommy Cooper’s stage props, Spike Milligan’s old record player and 16,000 music hall sheets.”

But he remains a resident of York, and the chance to run a fringe festival there was impossible to resist. This third event is the biggest to date, with 350 performanc­es of 200 shows – around 20 per cent more than last year. Local acts include the eccentric Moulin Ouse cabaret and burlesque show. Unlike the Edinburgh Festival in August, which celebrates its 70th anniversar­y this year and whose fringe acts are usually booked for weeks, most of the shows in York are one-night stands.

One of its signature events – and the one which might yet fill in the missing lines in the joke about the Yorkshirem­an – is the search to find the county’s New Comedian of the Year. Contestant­s must be amateurs, and they must perform five minutes of original material. As at Edinburgh, the fringe is not restricted to private venues. Parliament Street doubles for the Scottish capital’s Royal Mile, with entertainm­ent venues styled as a “village green”, and a “spiegelten­t”, a portable building fashioned out of wood, canvas and mirrors.

One of its signature events is the search to find the county’s New Comedian of the Year.

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 ??  ?? FRINGE BENEFITS: Performers appearing include Susan Calman, main picture, Curtis Stigers, top right, and Henning Wehn, bottom right; inset, festival director Martin Witts.
FRINGE BENEFITS: Performers appearing include Susan Calman, main picture, Curtis Stigers, top right, and Henning Wehn, bottom right; inset, festival director Martin Witts.

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