Yorkshire Post

CARING FOR CLOCK OF AGES

Timepiece that ruled the waves in need of repair

- DAVID BEHRENS COUNTY CORRESPOND­ENT ■ Email: david.behrens@ypn.co.uk ■ Twitter: @yorkshirep­ost

IT IS a piece of monumental craftsmans­hip that is, quite literally, timeless.

The maritime masterpiec­e crafted in 1727 by the Yorkshire clockmaker John Harrison was accurate to within a minute a week and could help sailors calculate longitude and thus measure their distance from land.

Its intricate, wooden mechanism still works perfectly – but in what might be seen as a timely warning about pale imitations, a faithful copy designed to show Harrison’s workings to the world has stopped dead.

The two clocks are displayed next to each other near the entrance to Leeds City Museum, with the reproducti­on, which dates only from the 1970s, stripped of its face and cabinet.

Matthew Read, an expert in antique clocks, arrived yesterday to try to fathom why its works had ground to a halt.

“We’ll be investigat­ing whether it’s dirty or if it needs some added lubricatio­n,” he said.

Harrison’s original “longcase clock No 2” is credited with helping to solve the problem of accurate timekeepin­g on lengthy voyages. It led him to produce a mariners’ watch that could accurately maintain time at sea.

Valued at around £2m, it was bequeathed to the city of Leeds by a local resident, William Wyrill Sissons, in 1973, in a transactio­n whose paperwork is lost. No-one is sure whether he knew of its value or significan­ce.

At around the same time as his largesse was recorded, an enthusiast was crafting a cog-forcog reproducti­on of the clock, using the same self-lubricatin­g African hardwood favoured by Harrison. It is on loan to Leeds from the National Maritime Museum at Greenwich.

“There’s a real, palpable sense of history when you look at these things,” said Mr Read, director of the Bowes Centre for Art, Craft and Design at Barnard Castle. “The original clock that Leeds owns is in incredibly good condition, and looking inside gives you a direct connection with the past.”

The 1727 clock, which the museum has wound down to prevent wear and tear, was designed in the wake of a disaster in which four cargo ships sailing from Gibraltar to England and commanded by the Admiral of the Fleet, Sir Cloudesley Shovell, ran aground in the Scilly Isles, having mistaken their position. The miscalcula­tion cost 2,000 lives. The Government set up the Longitude Board, and offered £20,000 to anyone who could come up with a way of measuring a ship’s position at sea. Harrison became obsessed with the challenge, and set about making a highprecis­ion clock that would keep time despite changes in weather and the motion of the waves.

A Yorkshire joiner with little access to scientific equipment, he overcame the problems of heat and humidity that affected the accuracy of timekeepin­g by keeping clocks in different rooms of his cottage, building up the fire in one while leaving the other cold. The project took him 50 years to complete.

In 1772, Captain James Cook tested the device on his second and third voyages of discovery, reporting on his return that he had been won over by “our neverfaili­ng friend”.

There’s a real palpable sense of history when you look at these things. Matthew Read, an expert in antique clocks.

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 ?? PICTURES: SWNS. ?? TIMELY INTERVENTI­ON: Left and inset, expert conservato­r Matthew Read examines a replica of the 18th century ‘longcase clock No 2’, below, which was made by renowned Yorkshire clockmaker, John Harrison, above.
PICTURES: SWNS. TIMELY INTERVENTI­ON: Left and inset, expert conservato­r Matthew Read examines a replica of the 18th century ‘longcase clock No 2’, below, which was made by renowned Yorkshire clockmaker, John Harrison, above.
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