Yorkshire Post

HOME TRUTHS FROM A WAR THAT TOUCHED ALL LIVES

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THE HORRORS of the First World War, especially the terrible suffering of the soldiers in the trenches, are quite rightly at the forefront of people’s minds at the centenary of the Armistice.

But there is another, almost forgotten, story of the war which is now gaining attention. This is the history of the Home Front and how towns, villages and farming hamlets organised, endured and coped.

At Craven Museum, in Skipton, a four-year effort to piece together the lost history of Dales life on the Home Front has produced a fascinatin­g new exhibition, which sheds light on wartime life in Yorkshire a hundred years ago.

Rob Freeman, the exhibition’s curator, is delighted with the way it has plugged gaps in the public’s knowledge. “We received a Heritage Lottery Fund grant, and it’s enabled us to carry out research over the four years of the war’s centenary,” he says.

“We’ve seen a big growth of interest in our findings. The First World War heritage of this part of Yorkshire is in a much stronger position than it was before the centenary.” He’s right, too. Public interest was first stirred by the excavation of Raikeswood Camp in Skipton, the training ground for the Bradford Pals which became a prisoner of war camp holding German officers during the last year of the conflict.

Residents of the housing estate which now covers the site were amazed to have archaeolog­ists request to look under their gardens for clues from a vanished world. “Raikeswood Camp didn’t feature in the history of Skipton at all,” Freeman says. “Now that’s all changed.”

Rural areas such as Craven had to deal with the tribulatio­ns of war the same as any major city, and the heartbreak­ing tales of loss were just as common. But one striking point which the exhibition throws up is the amount of extraordin­ary men and women these Dales villages produced.

Individual­s such as Theodore Bayley Hardy, priest and headmaster of Bentham School, who became the war’s most decorated noncombata­nt, and Harry Gilbert Tunstill, county councillor of Otterburn, who recruited scores of men for the Duke of Wellington’s Regiment, ever after known as “Tunstill’s Men”. Settleborn Bertram Lambert invented the gas respirator while Herbert Smith of Bradley designed the Sopwith Dolphin.

However, despite great popular support for the war effort, the exhibition demonstrat­es that in many ways Britain was a more divided country than we perhaps realise. White feathers were waved at non-combatant men, with one woman in Skipton hounding a 60-year-old even though he had seen service in Afghanista­n.

Big protests erupted over the new drinking hours imposed by the government and war fever mixed with paranoia: railway lines and reservoirs were guarded against spies and saboteurs while in Settle it was rumoured that the local Catholic priest (a German by birth) was sending signals to Germany using the cross outside his church!

But nothing stirred up antagonism and division more than the subject of those who refused to fight – the conscienti­ous objectors, widely referred to as “conchies”. Their tales are among the exhibition’s most fascinatin­g.

The strong tradition of Quaker and other non-conformist denominati­ons in these Dales villages ensured a good number of pacifists who rejected conscripti­on. Tribunals were set up to hear their cases, and ‘‘alternativ­ists’’ (who might do some useful war work) were sifted from ‘‘absolutist­s’’ (who refused all participat­ion).

Many were sent from their Dales homes to serve two years’ hard labour in prison. Yet the contributi­on of Quakers who did help the war effort was staggering. The Friends Ambulance Unit was created, as was the Friends War Victims Relief Committee. This led to field ambulances, field hospitals and hospital ships all run by Quakers. Luckily much evidence for this work has survived in the photograph­s of the Horner brothers of Settle.

Incidental­ly, one brother, Wilfred Horner, helped scotch the commonly held notion that Quakers were cowards when news reached home of his bravery in evacuating wounded men from a Flanders battle zone under fire. He was awarded the Croix de Guerre.

Remarkably, one area which united opinion far more than today was in the treatment of refugees. Belgians who had fled the German advance arrived in Britain in great numbers, and were warmly welcomed. After all, these were the ‘‘plucky Belgians’’ Britain had pledged to defend. The Duke of Devonshire housed a party of them at his Bolton Hall residence at Bolton Abbey, while many of the villages of the Dales also received their share of refugees. A furnished house was provided in Settle, and jobs and school places were offered.

The exhibition gives much attention to the aftermath of war, from the demobilisa­tion and reintegrat­ion of men to the debates and controvers­ies over how the war should be marked, what memorials would be appropriat­e. The memorial at Skipton was eventually commission­ed after, of all things, a captured German tank had been considered and then rejected.

The emotional cost of the war pervades all these artefacts and stories. The loss of horses to the military was a blow to many. The children of Hetton, distraught to lose the much-loved work-horses Captain and Blossom, plaited tufts of their manes for a keepsake. They never saw their horses again. But the agonies of families who lost loved ones can hardly be imagined.

 ??  ?? Clockwise from top: Rob Freeman, curator of the Craven at War exhibition with ‘Old Ted’; Illustrati­on from a diary kept by a German POW in Skipton; POWs at the Raikeswood Camp hospital; a small diary which features in the exhibition.
Clockwise from top: Rob Freeman, curator of the Craven at War exhibition with ‘Old Ted’; Illustrati­on from a diary kept by a German POW in Skipton; POWs at the Raikeswood Camp hospital; a small diary which features in the exhibition.
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