Yorkshire Post

Smartphone films win Turner Prize

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ART: Charlotte Prodger has won the 2018 Turner Prize for film work examining gender identity shot on an iPhone.

The Glasgow-based artist was awarded the annual prize of £25,000 at Tate Britain last night.

CHARLOTTE PRODGER has won the “political” 2018 Turner Prize for film work examining landscapes and gender identity shot on an iPhone.

The Glasgow-based artist has been awarded the annual prize of £25,000 for her films, which made use of clips shot on her smartphone overlaid with musing reflection­s on subjects surroundin­g “queer identity”.

Nigerian novelist Chimamanda Ngozi Adichie presented the award at a ceremony held at Tate Britain in London.

Prodger, 44, has been hailed for her work BRIDGIT, which was shot using her phone, and for the multi-format film Stoneymoll­an

Trail, exhibited at Bergen Kunsthall. The exhibit impressed prize judges for the way it explores “lived experience as mediated through technologi­es and histories”.

Prodger, who was born in Bournemout­h and studied at Goldsmith’s, said following her nomination for the prize: “I was thinking about the importance of self-determinat­ion to histories of queer struggle.

“This is an encroachme­nt on queer spaces, which is in part due to the commodific­ation of queer aesthetic.”

Alex Farquharso­n, director of Tate Britain, said: “It’s a political Turner Prize.

“I think it’s inevitable that there will be interest in artwork that says things in a very timely way.

“In terms of the winner, it’s one that seems to make a lot of points for a younger generation.”

 ?? PICTURES: PA ?? STATE OF THE ART: Main image, shortliste­d artist Luke Willis Thompson’s autoportra­it, 2017. Below, from left, another shortliste­d work, Counter Investigat­ions: Forensic Architectu­re; 2018 Turner Prize winner Charlotte Prodger and a still from her film BRIDGIT, 2016, which was shot using her smartphone and explores issues around queer identity.
PICTURES: PA STATE OF THE ART: Main image, shortliste­d artist Luke Willis Thompson’s autoportra­it, 2017. Below, from left, another shortliste­d work, Counter Investigat­ions: Forensic Architectu­re; 2018 Turner Prize winner Charlotte Prodger and a still from her film BRIDGIT, 2016, which was shot using her smartphone and explores issues around queer identity.

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