Yorkshire Post

Mini-mansion goes on show at the house it was modelled on

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ONE OF Britain’s rarest dolls houses has gone on display at the country house in Yorkshire on which it was modelled.

The miniature version of Nostell, near Wakefield, is one of only 12 dolls houses from the 18th century known to survive – and the only one still in its original location.

A mansion in miniature, perfectly reproduced down to the last stick of furniture and replete with wallpaper and hallmarked silverware, it is being displayed in a purposebui­lt, dramatical­ly lit gallery.

Specialist­s from the National Trust, which cares for Nostell, discovered almost all the interior decoration was original, with dozens of minute masterpiec­es made at great expense by specialist craftspeop­le in the 1730s.

The detail even extends to a working servants’ bell.

Nostell’s curator Simon McCormack said: “Dolls houses were not playthings for children in the 18th century.

“They were part of women’s lives from early teens to adulthood as a key tool in education and self- expression, providing a space to explore design tastes, fashion, social rituals and household management.”

The house was furnished by Nostell’s lady of the manor,

Susanna Winn, and her sister, Katherine, and reflected the way they wanted the big house to look.

Maria Jordan, one of the experts who worked on the conservati­on, said: “The grand beds are configured and made just as a real bed would have been – from the carved headboards and bedframes to the exquisite lace trims, bolsters and valances.”

 ?? PICTURES: JAMES HARDISTY ?? METICULOUS MODEL: Clockwise from top, collection­s assistant Sophie Bryan places items back in the dolls house; a doll cook from the kitchen; Sophie admires the luxury of one of the rooms; conservato­r Josh Tarr restoring one of its settees.
PICTURES: JAMES HARDISTY METICULOUS MODEL: Clockwise from top, collection­s assistant Sophie Bryan places items back in the dolls house; a doll cook from the kitchen; Sophie admires the luxury of one of the rooms; conservato­r Josh Tarr restoring one of its settees.

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