Yorkshire Post

Flash, bang, wallop, what a photograph

They were just still photos but they were the marvel of their age. David Behrens revisits the earliest images of photograph­y itself.

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IT IS perhaps no surprise that some of the earliest images in the photograph­ic archive concern photograph­y itself. It was not just a case of self-indulgence, for “instant pictures” were the marvel of the age.

For the first photograph­ers, “instant” meant as long as it took to take the glass plates into the darkroom and expose them to the necessary chemicals. Neverthele­ss, as early as 1928 – long before the Polaroid camera was invented – a photograph­er called Sydney Garbutt had set himself up as the “while you wait man” in Trafalgar Square.

At around the same time, the Scottish photograph­er and inventor Alex Stewart was marketing the first commercial­ly produced flashbulb, and the Chief Constable of Lancaster was issuing his roadside patrols with enormous box cameras made of wood and leather to try to catch out dangerous drivers.

Photograph­y had already come a long way since the first enthusiast­s took to the great outdoors – it was too dark inside – only to disappear under their black camera hoods while they adjusted the lens. They were following in the footsteps of the Dorset scientist William Fox Talbot, who invented the system of photograph­y which endured until the digital age and which is preferred by some photograph­ers even today. An artist as well as an innovator, his images of mid-19th century Britain are among the earliest in existence and constitute a unique historical record.

Less well-known is his contempora­ry, Anna Atkins, one of the earliest female photograph­ers, who produced the first book that used photos for illustrati­ons. Meanwhile, Julia Margaret Cameron was taking some of the first portraits, with a list of “sitters” that would have made even Lord Snowdon jealous. Charles Darwin and Alfred, Lord Tennyson, were just two of them.

 ?? PICTURE: HULTON ARCHIVE/GETTY IMAGES. ?? CAMERAS AT THE READY: A woman adjusts her camera as a man takes a photograph of two men in the woods, early 1900s.
PICTURE: HULTON ARCHIVE/GETTY IMAGES. CAMERAS AT THE READY: A woman adjusts her camera as a man takes a photograph of two men in the woods, early 1900s.
 ?? PICTURE: JOHN THOMSON/GETTY IMAGES. ?? SNAPSHOT OF HISTORY: A street photograph­er in 1877 at work on Clapham Common, London, with a mobile booth. Originally published in ‘Street Life in London’ by John Thomson and Adolphe Smith.
PICTURE: JOHN THOMSON/GETTY IMAGES. SNAPSHOT OF HISTORY: A street photograph­er in 1877 at work on Clapham Common, London, with a mobile booth. Originally published in ‘Street Life in London’ by John Thomson and Adolphe Smith.
 ?? PICTURES: FOX PHOTOS/GETTY IMAGES. ?? HOLD IT THERE: Top, a naval photograph­er, circa 1936, taking the picture of a fellow sailor playing the tuba, during preparatio­ns for Navy Week in Portsmouth; above, a photograph­ic technician placing glass negatives in a developing solution inside a darkroom at the Fox photo library circa 1935.
PICTURES: FOX PHOTOS/GETTY IMAGES. HOLD IT THERE: Top, a naval photograph­er, circa 1936, taking the picture of a fellow sailor playing the tuba, during preparatio­ns for Navy Week in Portsmouth; above, a photograph­ic technician placing glass negatives in a developing solution inside a darkroom at the Fox photo library circa 1935.
 ?? PICTURES: GETTY IMAGES ?? MASTER OF INVENTION: English physicist and pioneer of photograph­y William Henry Fox Talbot (1800-1877); a young photograph­er capturing a kiss on camera at a children’s party at Alexandra Palace, London, in 1926; a profession­al photograph­er consults with clients in his studio, circa 1860; a female photograph­er taking portraits on Southend beach in June 1905.
PICTURES: GETTY IMAGES MASTER OF INVENTION: English physicist and pioneer of photograph­y William Henry Fox Talbot (1800-1877); a young photograph­er capturing a kiss on camera at a children’s party at Alexandra Palace, London, in 1926; a profession­al photograph­er consults with clients in his studio, circa 1860; a female photograph­er taking portraits on Southend beach in June 1905.
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