Yorkshire Post

A stunning Dales landscape of shock and ore

- Picture: Tony Johnson Words: Chris Bond

WITH SHEEP grazing next to Hebden Beck nestled deep within the verdant Yorkshire Dales National Park, this looks like an idyllic rural scene.

Not far away are the honeypots of Grassingto­n and Hebden, popular with day trippers, walkers and tourists keen to explore the area’s rugged beauty.

There is, though, another chapter to the story hinted at by this photograph in the ruins of the stone building in the background, a relic of the lead mining industry. In centuries gone by, hardy men toiled to make a living from this landscape, hewing lead ore from the unforgivin­g ground.

Lead mining in the 18th and 19th centuries left its mark on the landscape, and several ruined mine workings can still be seen in the uplands..

The geology of upland areas of Britain – where the movement of fault lines causes limestone beds to crack – creates deposits of lead ore.

The mineral has been mined since Roman times, when it was even sent back to Rome and used in building projects.

By the 18th century, Britain was the biggest lead producer in the world, and prospectin­g in the Dales reached fever pitch. Most of the labour was manual and miners bargained with landowners for access to the lead ore deposits.

The end of the industry came at the start of the 20th century, when foreign competitio­n began to undercut prices.

The last lead mine in the Dales closed in 1912, but many of the buildings and workings, such as peat houses, smelting mills and stores, still remain.

On the surface, smelting mills and chimneys were constructe­d to process the ore which was then converted ready for sale on the commercial market.

Several of these chimneys (and the flues built to channel hot gases into them) are still standing today – remnants of which can be seen in places like Malham Moor and Grassingto­n Moor.

They are a reminder, too, that Yorkshire’s industrial heritage is not confined to our bustling towns and cities, but can be found here in the most picturesqu­e of places.

■ Technical details, shot on a Fujifilm X-T1 18-55mm lens with an exposure of 1/250th @ f5.6, 400ISO.

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