The Scottish Mail on Sunday - You
THE BAZAAR & the beautiful
Vivid pops of colour and texture play against a calm backdrop to make this luxury barn conversion an oasis of cool on Morocco’s picturesque Atlantic coast
After running a successful floristry business in Knightsbridge and having redesigned several London houses, Emma decided it was time for a creative change. Little did she know that a new challenge would present itself during a short break to Morocco. ‘I went there for three days and ended up buying a house,’ she laughs. ‘I went at a time when Morocco was a fairly undiscovered dot on the map and fell in love with the beautiful architecture and vivid colours. Within a few months I had the keys to our house and a new life. It wasn’t on my agenda at all.’
Emma’s house is not your stereotypical Moroccan abode. ‘All my friends expected me to do the whole Arabian Nights thing with lanterns and colourful silks, but I wanted something unique,’ she says, ‘and to bring a hippie, London aesthetic to the coastal town of Essaouira.’
The building is more than 200 years old: ‘It was like buying a piece of history,’ says Emma. She remembers finding an ancient spell written on a crumpled piece of paper in one of the walls during the renovation. ‘It was a hex that a wife was trying to put on a new, more favoured spouse – it just goes to show you never know what is hidden in your walls.’
The house took nine months to renovate. ‘When we first moved in everything was crumbling – our feet would step straight through the floor.’ Emma stayed true to the original stonework and plaster where she could, painting and sanding the archways. ‘But most things had to change, from knocking through
walls to taking up the flooring. It was a mammoth job.’ Emma’s eye for design is evident throughout the house; natural materials combine with chunky handmade textures that soften the concrete floors and bring a stylish yet relaxed atmosphere to the space. Everything relates to the landscape.
It was this passion and enthusiasm for the rich history of Morocco that inspired Emma to learn more about vintage Berber rugs, which are still made in the nearby Atlas Mountains. ‘I had already started up Castles in the Sand and would take clients on day trips into the heart of Marrakech to search for one-off, authentic pieces of Moroccan
homeware for them to take home.’ It was through this process that Emma discovered how each rug was woven on family looms, some of them over many years. ‘I found that every rug told a unique story,’ says Emma. ‘My clients were fascinated and would cram as many into their suitcases as they could.’
Emma’s passion led to a business and she started up Beldi Rugs in London with co-founder Tamsin Flowers, a costumier. The two combined creative forces and now their collection stretches back decades: ‘We have vintage designs from the 1940s and 50s, some covered with tight-knit designs that would have taken about 100 years to make,’ says Emma. Every piece is handcrafted and dyed organically, so no two rugs are the same. ‘The art of craftsmanship is dying out in favour of quick-fix, mass-produced pieces, and tales of the artisan are becoming lost along the way. We want to try to change that.’ castlesinthesand.com; beldirugs.com