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THE BAZAAR & the beautiful

Vivid pops of colour and texture play against a calm backdrop to make this luxury barn conversion an oasis of cool on Morocco’s picturesqu­e Atlantic coast

- Nicole Gray Luke White WORDS PHOTOGRAPH­S

After running a successful floristry business in Knightsbri­dge and having redesigned several London houses, Emma decided it was time for a creative change. Little did she know that a new challenge would present itself during a short break to Morocco. ‘I went there for three days and ended up buying a house,’ she laughs. ‘I went at a time when Morocco was a fairly undiscover­ed dot on the map and fell in love with the beautiful architectu­re and vivid colours. Within a few months I had the keys to our house and a new life. It wasn’t on my agenda at all.’

Emma’s house is not your stereotypi­cal Moroccan abode. ‘All my friends expected me to do the whole Arabian Nights thing with lanterns and colourful silks, but I wanted something unique,’ she says, ‘and to bring a hippie, London aesthetic to the coastal town of Essaouira.’

The building is more than 200 years old: ‘It was like buying a piece of history,’ says Emma. She remembers finding an ancient spell written on a crumpled piece of paper in one of the walls during the renovation. ‘It was a hex that a wife was trying to put on a new, more favoured spouse – it just goes to show you never know what is hidden in your walls.’

The house took nine months to renovate. ‘When we first moved in everything was crumbling – our feet would step straight through the floor.’ Emma stayed true to the original stonework and plaster where she could, painting and sanding the archways. ‘But most things had to change, from knocking through

walls to taking up the flooring. It was a mammoth job.’ Emma’s eye for design is evident throughout the house; natural materials combine with chunky handmade textures that soften the concrete floors and bring a stylish yet relaxed atmosphere to the space. Everything relates to the landscape.

It was this passion and enthusiasm for the rich history of Morocco that inspired Emma to learn more about vintage Berber rugs, which are still made in the nearby Atlas Mountains. ‘I had already started up Castles in the Sand and would take clients on day trips into the heart of Marrakech to search for one-off, authentic pieces of Moroccan

homeware for them to take home.’ It was through this process that Emma discovered how each rug was woven on family looms, some of them over many years. ‘I found that every rug told a unique story,’ says Emma. ‘My clients were fascinated and would cram as many into their suitcases as they could.’

Emma’s passion led to a business and she started up Beldi Rugs in London with co-founder Tamsin Flowers, a costumier. The two combined creative forces and now their collection stretches back decades: ‘We have vintage designs from the 1940s and 50s, some covered with tight-knit designs that would have taken about 100 years to make,’ says Emma. Every piece is handcrafte­d and dyed organicall­y, so no two rugs are the same. ‘The art of craftsmans­hip is dying out in favour of quick-fix, mass-produced pieces, and tales of the artisan are becoming lost along the way. We want to try to change that.’ castlesint­hesand.com; beldirugs.com

 ??  ?? Emma’s bed sits on a concrete dais. The wall art is by street artist Dan Baldwin (danbaldwin­art.com). The decorative horse head (just seen) was found in an Essaouiran flea market
Emma’s bed sits on a concrete dais. The wall art is by street artist Dan Baldwin (danbaldwin­art.com). The decorative horse head (just seen) was found in an Essaouiran flea market
 ??  ?? FAR LEFT Emma had the bath shipped over from the UK. ‘The curves suited the architectu­re of the house.’ For a similar ceramic bath, try Victorian Plumbing (victorianp­lumbing. co.uk). The art is from Marrakech
FAR LEFT Emma had the bath shipped over from the UK. ‘The curves suited the architectu­re of the house.’ For a similar ceramic bath, try Victorian Plumbing (victorianp­lumbing. co.uk). The art is from Marrakech
 ??  ?? LEFT The bear, a gift for Kai, is by a Japanese artist. The beads are from a local market
LEFT The bear, a gift for Kai, is by a Japanese artist. The beads are from a local market
 ??  ?? ABOVE ‘The living room is our haven; I wanted everything to be tonal and relaxing.’ The leather sofa is an original 1960s De Sede that Emma found in London’s Brick Lane (desede.ch). The fireplace creates a hub and heats the whole space. ‘Installing it...
ABOVE ‘The living room is our haven; I wanted everything to be tonal and relaxing.’ The leather sofa is an original 1960s De Sede that Emma found in London’s Brick Lane (desede.ch). The fireplace creates a hub and heats the whole space. ‘Installing it...
 ??  ?? LEFT Emma displays her beach finds throughout the house. ‘I love unusual shapes and textures. We found a seahorse and sand dollar in Costa Rica and I had them set in resin.’ The wooden shark was made by a local artist
LEFT Emma displays her beach finds throughout the house. ‘I love unusual shapes and textures. We found a seahorse and sand dollar in Costa Rica and I had them set in resin.’ The wooden shark was made by a local artist
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 ??  ?? THE FAMILY Emma Wilson, founder of boutique villas company Castles in the Sand and co-founder of Beldi Rugs, lives in this converted two-bedroom barn in Essaouira, a port city on Morocco’s Atlantic coast, with her son Kai, seven, and dogs Chica, Pluto...
THE FAMILY Emma Wilson, founder of boutique villas company Castles in the Sand and co-founder of Beldi Rugs, lives in this converted two-bedroom barn in Essaouira, a port city on Morocco’s Atlantic coast, with her son Kai, seven, and dogs Chica, Pluto...
 ??  ?? ABOVE Kai used to carry a cuddly toy lobster around with him as a toddler. ‘Our beach trips would end with us rescuing lobsters from the fate of cooking pots.’ Emma and her builders designed the shelves (top left) to display Kai’s toys, spanning...
ABOVE Kai used to carry a cuddly toy lobster around with him as a toddler. ‘Our beach trips would end with us rescuing lobsters from the fate of cooking pots.’ Emma and her builders designed the shelves (top left) to display Kai’s toys, spanning...
 ??  ?? LEFT In Kai’s bedroom, a colourful whale painted for him by his father has pride of place above the bed. For a similar artwork, try Cult Furniture (cultfurnit­ure.com). The bed is from Habitat (habitat.co.uk)
LEFT In Kai’s bedroom, a colourful whale painted for him by his father has pride of place above the bed. For a similar artwork, try Cult Furniture (cultfurnit­ure.com). The bed is from Habitat (habitat.co.uk)
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