‘Sympathy’ for the novel: Oh, Downey Jr. star in Thanh Nguyen novel-turned-series

There are 195 countries in the world; each with its own unique past, fears, concerns, crimes and secrets. And while the best way to get to know a country well is to live in it for an extended period of time, one brings their own personal, individual experiences along for the trip, inevitably diluting the cultural experience, even if only ever so slightly.

Similarly, when a person immigrates to the United States of America, they come with their own set of experiences, for better or — as in the case of HBO’s newest series — for worse. The new seven-episode limited series “The Sympathizer” begins Sunday, April 14, on HBO and HBO’s streaming service, Max.

Based on the Pulitzer Prize-winning novel of the same name by Vietnamese-American

professor and author Viet Thanh Nguyen, “The Sympathizer” follows a young, FrenchVietnamese man (played by Hoa Xuande, “Cowboy Bebop”), who had been placed in South Vietnam for the duration of the Vietnam War, working as a plant.

As the war approaches its end in the mid-1970s, the man (hereafter referred to as “the Captain”) lands in the United States and begins to live his life as a refugee in Los Angeles. Little do those around him know, the Captain has been tasked with gaining information on the U.S. government and reporting his findings back home to the Communist-propelled Viet Cong.

“I am a spy, a sleeper, a spook, a man of two faces,” says the Captain (also the narrator) at the outset of the 2015 novel and series’ source material. “Perhaps not surprisingly, I am also a man of two minds, ... able to see any issue from both sides. Sometimes I flatter myself that this is a talent ... [but] I wonder if what I have should even be called talent. After all, a talent is something you use, not something that uses you. The talent you cannot not use, the talent that possesses you — that is a hazard.”

As illustrated by the main character in the very first lines of Nguyen’s bestselling novel, duality is at the heart of “The Sympathizer.” Whether tackling the intricate moral quandaries that separate right from wrong, the complex and imperfect biases of political lefts and rights, or struggling with one’s own parentage (as is, for the Captain, a hated French father and an adored Vietnamese mother), “The Sympathizer” always straddles the line between, at least, two possible outcomes.