Albany Times Union

Horrors of slavery focus of ‘Antebellum’

Monae has role in film that depicts terrifying violence

- By John Carucci

Janelle Monae says she “felt so much rage and anger” when she stepped onto a former slave plantation for the first time to film the psychologi­cal thriller “Antebellum.”

In the movie, set for release Friday, the pop star and actress plays a successful modern-day author who finds herself trapped in alternate time periods, including the terrifying reality of a runaway slave. Rememberin­g the moment she arrived on that plantation set, she becomes visibly emotional.

“My ancestors were stolen. They didn’t steal slaves or servants. They stole doctors. They stole lawyers. They stole musicians. They stole mothers, fathers. Humans that mattered,” she said.

Much of the horror of “Antebellum” is in its unf linching depiction of the violence inflicted on slaves. Monae hopes the film acts as a catalyst for discussion­s about systemic racism in a politicall­y divided nation. She says it’s essential to

“confront the pain” of the past in order to understand the present state of Black Americans — and address police brutality and social injustice.

“You cannot talk about the present and everything we’re dealing with the police without knowing the past and understand­ing that in the South during the Civil War that the first police institutio­n was the same slave patrol meant to control, meant to monitor free slaves, meant to kill, meant to discrimina­te against free slaves,” Monae said.

The movie grew out of a literal nightmare that co-writer-director Gerard Bush had after his father died. He awoke rememberin­g “this woman, Eden, that was screaming desperatel­y for help that felt like cross-dimensiona­l in a sense.”

“I was really emotional from the experience. And I took out my notepad and took all of the notes from the nightmare,” Bush said.

Bush and filmmaking partner Christophe­r Renz say they used 1970s horror films as inspiratio­n. They hope to unsettle audiences when depicting terrors of the pre-abolition South. The Oscar-winning 1939 film “Gone With the Wind” became a touchstone.

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