Albany Times Union

New York Philharmon­ic head retiring next season

Borda to be replaced by Ginstling, current head of NSO in Washington

- By Ronald Blum

Deborah Borda will retire as president and CEO of the New York Philharmon­ic at the end of the 2022-23 season and will be succeeded by Gary Ginstling, head of Washington’s National Symphony Orchestra since 2017.

Borda, who turns 73 on July 15, returned to the Philharmon­ic in 2017 for her second stint in charge and presided over the unpreceden­ted dual challenges of the coronaviru­s pandemic and the reconstruc­tion of David Geffen Hall, the orchestra’s longmalign­ed Lincoln Center home that reopens Oct. 7.

Ginstling will become the Philharmon­ic’s executive director on Nov. 1 and take over from Borda when she retires June 30, 2023. Borda will then became executive adviser to Ginstling and the board of directors, a role in which she will concentrat­e on fundraisin­g. She anticipate­s cutting her work hours in half.

“We had a wild five years, which have been tremendous,” Borda said Friday. “We’ve managed to take COVID and turn it

into a positive thing and open the hall almost two years early, on time and on budget.”

Borda said she and Ginstling both will be part of the search for a successor to Jaap van Zweden, who announced in September that he will leave at the end of the 2023-24 season after six years as music director, the shortest tenure of anyone in a half-century. Borda said it is not certain whether a decision will be made before she steps down, but if the search extends past next summer, she will continue

to advise on it.

Ginstling said he was contacted by a search firm in late February or early March, and talks were finalized in May. He thought back to hearing the Philharmon­ic under music director Zubin Mehta and attending Leonard Bernstein’s Mahler concerts.

“It’s a combinatio­n of the New York Philharmon­ic’s storied history, its really innovative work in recent years and then the enormous potential that I see for the future as David Geffen

Hall prepares to reopen,” he said. “My love for orchestras, my passion for orchestral music, it started with the New York Philharmon­ic. It was the first profession­al orchestra I ever heard. I can remember in junior high school going to concerts. My parents were subscriber­s to the Philharmon­ic for decades.”

Ginstling, 56, was born in Queens and grew up in New Jersey. He received a bachelor’s degree from Yale, a master’s degree in music from The Juilliard School where he studied clarinet, and a master’s in business administra­tion from UCLA.

He served as executive director of the Berkeley Symphony Orchestra from 2003-06, director of communicat­ions and external affairs of the San Francisco Symphony from 2006-08 and general manager of the Cleveland Orchestra from 2008-13. Ginstling was CEO of the Indianapol­is Symphony Orchestra before replacing Rita Shapiro as the NSO’S executive director in 2017.

Borda navigated a pandemic that caused the cancellati­on of the final 33 concerts of 2019-20 plus all 119 concerts of 2020-21. and she accelerate­d the $550 million reconstruc­tion of Geffen Hall. The Philharmon­ic returned from the pandemic to split the 2021-22 season between Lincoln Center’s Alice Tully Hall and Jazz at Lincoln Center’s Rose Theater.

A native New Yorker and a former violist, Borda held top management positions with the San Francisco Symphony, Saint Paul Chamber Orchestra and Detroit Symphony Orchestra before she was hired as managing director of the New York Philharmon­ic in 1991. She announced her departure in September 1999 to become president and CEO of the Los Angeles Philharmon­ic.

 ?? Hiroyuki Ito / The New York Times ?? Deborah Borda, CEO of New York Philharmon­ic, at the opening night concert of the 2021-22 season. Borda presided over the unpreceden­ted dual challenges of the pandemic and the reconstruc­tion of David Geffen Hall.
Hiroyuki Ito / The New York Times Deborah Borda, CEO of New York Philharmon­ic, at the opening night concert of the 2021-22 season. Borda presided over the unpreceden­ted dual challenges of the pandemic and the reconstruc­tion of David Geffen Hall.

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