Albuquerque Journal

LOOKING BACK ON THE AGE OF AQUARIUS

BOOK, MUSEUM EXHIBITION EXAMINE COUNTERCUL­TURE IN THE REGION

- BY JACKIE JADRNAK

Harmony and understand­ing? Not always

It wasn’t just sex, drugs and rock ‘n’ roll.

The countercul­ture, according to Jack Loeffler, was about a whole lot more than that. “The modern environmen­tal movement came out of the countercul­ture,” said Loeffler, who co-edited a book, “Voices of Countercul­ture in the Southwest,” published by the Museum of New Mexico Press and recently released to book stores.

Meredith Davidson, curator at the New Mexico History Museum, coedited the book with him and they both curated an exhibition on the theme that will open May 14 at the History Museum.

“I feel good about this book,” Loeffler said. “This is a subject I have lived for the last 60 years.”

He was a breakfast chef and meditation teacher at what became the Esalen Institute at Big Sur in California, an environmen­tal activist fighting the Black Mesa coal mine in the Four Corners area, a gatherer of what he calls “aural histories” from interview, and a recorder of indigenous and Hispanic folk music in the Southwest, as well as ambient sounds in the wilderness.

Loeffler said he donated about two-thirds of his aural history collection to the History Museum and the upcoming exhibit will include a number of those voices.

And while he wrote a number of the essays in the book, he also recruited friends he had made along the countercul­ture journey to tell the

stories of the New Buffalo and Lama communes, and the Hog Farm in northern New Mexico, the experiment­s with straw bale building and organic farming, the backlash against hippies invading the Taos area, the importance of Native American and Eastern spiritual teachings, the music and poetry of the movement.

Then there’s the issue of eating peyote and other psychedeli­cs, which Loeffler said was related to developmen­t of a new type of consciousn­ess — or maybe a discovery and understand­ing of what he calls the “indigenous mind.” It’s a way of seeing the relationsh­ips among living beings and the planet, of understand­ing the long-ranging consequenc­es of our actions and relating to the flow of nature.

“Plant and animal life — we are all cousins,” he said in an interview.

While many people remember those years with affection and even some longing, there was a dark side.

Writer, activist and actor Peter Coyote made that point in an essay he wrote in the book.

While he credited the countercul­ture with “moving the needle on culture” with contributi­ons to women’s rights, the environmen­tal movement, alternativ­e medicine, organic food and expanded spiritual practices, he added that idealistic young people discovered that love is not all you need.

“Our imperfect knowledge of the greed, hatred, and delusion that shape the world, along with our imperfect awareness of our own muddy, contradict­ory intentions and desires,” Coyote wrote, “made us believe that we could create a world without shadows, a simpler, more understand­able world in accordance with our simplistic understand­ings, better than the one we had failed to master as children.”

He said he wanted to balance out “self-congratula­tory memories that fail to include sexual disease, death by overdose and murder, and the careless spending of life’s energies on personal indulgence and occasional twaddle.”

Multi-generation­al Taos resident Sylvia Rodriguez added in her essay: “It is easy for aging boomers to wax nostalgic about those days. But one must also look back with irony and a touch of skepticism because, contrary to their (our) youthful sensation of accelerati­ng through some kind of Aquarian evolutiona­ry process toward an egalitaria­n, spirituall­y enlightene­d, peaceful, and ecological­ly balanced society, the country soon veered sharply to the right in an overall trajectory that hasn’t stopped yet.”

And in her introducti­on, Davidson noted: “Fifty years after the Summer of Love, the youth of today’s world are facing similar issues of racial prejudice, global violence, and environmen­tal challenges.”

Loeffler said he sees a resurgence of the conditions and concerns that launched the countercul­ture.

“The level of disgust with the political arena right now inevitably is going to result in a huge tsunami of countercul­ture,” he said. “An awful lot of young people are particular­ly distraught with the way it is now.”

And maybe because of that, Loeffler said of the book and exhibition, “Boy, it couldn’t come at a better time.”

 ?? PHOTOS COURTESY OF MUSEUM OF NEW MEXICO PRESS ?? Prayer flags flap in the breeze at Lama, a community north of Taos that was part of the countercul­ture movement in New Mexico. Its foundation first published the Ram Dass book “Be Here Now.”
PHOTOS COURTESY OF MUSEUM OF NEW MEXICO PRESS Prayer flags flap in the breeze at Lama, a community north of Taos that was part of the countercul­ture movement in New Mexico. Its foundation first published the Ram Dass book “Be Here Now.”
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 ??  ?? Rina Swentzell is shown camping with her Volkswagen bus and her children, from left, Poem, Athena and Roxanne, in a photo provided by Bill and Athena Steen.
Rina Swentzell is shown camping with her Volkswagen bus and her children, from left, Poem, Athena and Roxanne, in a photo provided by Bill and Athena Steen.
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 ??  ?? This photo by Seth Roffman shows young people gathered for a meal at the New Buffalo commune near Taos. COURTESY OF MUSEUM OF NEW MEXICO PRESS
This photo by Seth Roffman shows young people gathered for a meal at the New Buffalo commune near Taos. COURTESY OF MUSEUM OF NEW MEXICO PRESS
 ??  ?? “Voices of Countercul­ture in the Southwest” is a companion book, available now, to an upcoming exhibition at the New Mexico History Museum.
“Voices of Countercul­ture in the Southwest” is a companion book, available now, to an upcoming exhibition at the New Mexico History Museum.

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