Albuquerque Journal

POWWOW PAGEANTRY

Colorful, intricate regalia at Gathering tell stories

- BY MADDY HAYDEN JOURNAL STAFF WRITER

The sight of thousands of Native American dancers from hundreds of tribes throughout the U.S. and Canada adorned in every color of the rainbow and intricate regalia made from animal pelts, feathers, cloth, sequins, beads and ribbons is a beautiful and somewhat overwhelmi­ng experience.

But in the mass of dancers, every one has their own story, often told by the garments they wear.

On Saturday, Cynthia Neskahi of Arizona’s Fort Mojave Indian Tribe wore a long-sleeved, dark blue dress embroidere­d with silk black-and-white diamonds at the bottom of the skirt.

Neskahi said the diamonds represent the mountains that surround her homeland.

“In our creation story, we come from the mountains,” she said.

An intricatel­y beaded collar was draped across her shoulders, and black markings were painted on her chin.

The markings denote her clan, the Oach. The traditiona­l practice was to tattoo them.

Neskahi, whose Mojave name is “Baby Hummingbir­d,” said Mojave dancing and music is centered around gourds, not drums, but that didn’t stop her from participat­ing in the grand entry.

“It was breathtaki­ng,” she said. Uqualla of the Havasupai Tribe said his bright orange cloth tunic would have traditiona­lly been made of buckskin, like the leggings and moccasins he wore.

Atop his bald head, painted orange, he wore a small headdress made of beads and feathers.

“It acts as a conduit, a key, an opening, a direct connection to a greater source,” the 63-year-old said. “The beauty of traditiona­l regalia is to embody the best and the finest.”

Vaughn Stands, 34, of the Oglala Sioux and Rosebud Sioux tribes in South Dakota, has been dancing at the Gathering of Nations since he was 5 years old.

“I grew up this way, powwowing,” Stands said. “It was passed down to me, singing and dancing.”

One piece of his regalia predates many of the powwow participan­ts: an 80-year-old beaded pipe bag, decorated with dyed porcupine quills.

He also wore handcrafte­d armbands made of deer hide and hooves.

The cuffs made with blue, white, black, green, orange, yellow and red beads around his forearms are in a pattern specific to his family, like a crest.

His chest was covered with a buffalo bone breastplat­e and otter pelt.

Although many of the 700 tribes represente­d at the powwow may have historical­ly quarreled with one another, Stands said he believes those conflicts remain in the past.

“As Indian people, we’re going extinct,” he said. “The barrier that was between Native American people broke down because we all sort of have to get along. All in all, we’re family.”

I GREW UP THIS WAY, POWWOWING. IT WAS PASSED DOWN TO ME, SINGING AND DANCING. VAUGHN STANDS OF THE OGLALA SIOUX AND ROSEBUD SIOUX TRIBES

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 ?? ROBERTO E. ROSALES/JOURNAL ?? Adrian Jackson Gray, 11, of Chilchinbi­to, Ariz., prepares to dance on the main stage Saturday afternoon at the Gathering of Nations.
ROBERTO E. ROSALES/JOURNAL Adrian Jackson Gray, 11, of Chilchinbi­to, Ariz., prepares to dance on the main stage Saturday afternoon at the Gathering of Nations.
 ??  ?? Dion Cloud of Lapwai, Idaho, prepares to mount his war pony, Chief, for the Gathering of Nations Horse Parade on Saturday afternoon.
Dion Cloud of Lapwai, Idaho, prepares to mount his war pony, Chief, for the Gathering of Nations Horse Parade on Saturday afternoon.
 ??  ?? Cynthia Neskahi of the Fort Mojave Indian Tribe stands outside Tingley Coliseum on the second day of the Gathering of Nations.
Cynthia Neskahi of the Fort Mojave Indian Tribe stands outside Tingley Coliseum on the second day of the Gathering of Nations.

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