Albuquerque Journal

Roseanne showed true colors long before firing

- Columnist S.E. Cupp is the host of “S.E. Cupp Unfiltered” on HLN. Readers may email her at secuppdail­ynews@yahoo.com. (c) 2018 S.E. CUPP Distribute­d by Tribune Content Agency, LLC.

As the acclaimed poet Maya Angelou once said, “When someone shows you who they are, believe them — the first time.”

That wise adage hasn’t made its way to television executives, apparently, who can’t help hiring — and rehiring — some of the industry’s worst known repeat offenders.

ABC, which rebooted the one-time hit comedy “Roseanne” this year as a paean to Trump’s America, just canceled the ratings juggernaut after a wave of racist tweets by controvers­ial comic Roseanne Barr went viral.

In the tweets, Barr suggested Chelsea Clinton was related to the liberal billionair­e activist George Soros — she isn’t — and then called Soros a “nazi.” Worse, she said of former Obama administra­tion adviser Valerie Jarrett: “Muslim brotherhoo­d & planet of the apes had a baby=vj.”

That Barr has gone ahead on Twitter and revealed herself to be an unhinged, mouth-breathing, racist conspiracy monger isn’t the strange part — it’s that she’s revealed herself again.

ABC falsely believed they hired Roseanne the Character — a blue collar, everywoman who was sharp-tongued but funloving and, yes, a Trump supporter.

But what they got was Roseanne the Person . ...

Upon her firing, ABC released this condemnati­on: “Roseanne’s Twitter statement is abhorrent, repugnant and inconsiste­nt with our values, and we have decided to cancel her show.”

But what’s their excuse for hiring her again? Remember, this is a woman who was an early supporter of birtherism, has compared Muslims to Nazis, took to Twitter regularly to attack citizens both private and public, floated wild conspiracy theories and bullied Trump opponents with racist, homophobic and anti-Semitic insults.

She infamously dressed up as Hitler for a photoshoot and posed with burnt “Jew cookies,” and has promoted anti-Semitic personalit­ies like the Holocaust-denier Gilad Atzmon.

As risk goes, she came with a ton of it. How did ABC think this would go? Suddenly becoming a network star again would put the crazy back in the bottle? Sorry — that’s not how it works.

Need more proof? When Rosie O’Donnell returned to “The View” in 2015, she promised “a calmer version” of herself, according to Variety, after previously bouncing from the program in 2007 and leaving before her contract was through, a single season in.

But it was only a matter of time before O’Donnell’s famous temper, ego and unwillingn­ess to work well with others resulted in her second departure, just five months in . ... Then there’s everybody’s favorite misogynist, Keith Olbermann, the putrid living embodiment of Bobby Riggs and Ernest Hemingway. He was just rehired by ESPN for “SportsCent­er,” the sixth time the network has hired him.

The very brief overview of his career highlights include:

Calling Education Secretary Betsy DeVos a “Motherf--ker,” slurring Ann Coulter as a “guy (who) wants to live his life as a woman,” calling conservati­ve commentato­r Michelle Malkin a “big mashed-up bag of meat with lipstick on it,” and yours truly as “the perfect demonstrat­ion of the necessity of the work Planned Parenthood does.”

OK, so maybe he only hates a certain kind of woman.

He’s been suspended and/or fired by nearly every outlet he’s worked for, including ESPN, MSNBC, and CurrentTV, which said at the time, “Current was ... founded on the values of respect, openness, collegiali­ty, and loyalty to our viewers. Unfortunat­ely these values are no longer reflected in our relationsh­ip with Keith Olbermann and we have ended it.”

The new(ish) face of ESPN, ladies and gentlemen.

Why bad people — who are bad to other people — keep getting hired after they have proven their selves time and again is a mystery to me.

But they’ll be fine. The worst part of this is the vast numbers of talented people left in their wake.

Castmates like John Goodman and Sara Gilbert took a chance on Roseanne and “Roseanne,” and are now left holding the bag. Likely dozens of crew members, writers and producers are also without a job suddenly. Same for every failed Olbermann venture and O’Donnell flop.

With a world teeming with fresh new talent, it seems wholly unnecessar­y to keep going back to the same, polluted wells that reliably end up stinking up the joint.

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S.E. CUPP

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