Albuquerque Journal

Artists’ manager quits over claims

Bernard Uzan apologizes in letter

- BY ANNE MIDGETTE AND PEGGY MCGLONE THE WASHINGTON POST

In another response to The Washington Post’s report about sexual harassment in classical music, Bernard Uzan, 73, the stage director and artists’ manager, announced that he is leaving opera.

“I come from a very different culture, I am of the sixties generation, which is not an excuse, but simply a fact, and I have made my mistakes throughout my life,” Uzan wrote in a letter that he sent first to the artists on his roster and then issued as a release via his agency. “If I have offended any of you, I deeply apologize.

“The world has changed tremendous­ly and continues to change every day at a fast speed. While I still deny the recent allegation­s, I am realizing that it is very difficult, practicall­y impossible, for me to adapt to the new rules of behavior and human relations. I will now concentrat­e and consecrate my life to my other passion, writing.”

In The Washington Post story, four women accused Uzan of sexually harassing behavior, including inappropri­ate language, propositio­ns and groping.

Uzan was one of three men alleged to have sexually harassed women in the story, which posted online Thursday and ran in print Sunday. Since it appeared, there have been a number of consequenc­es.

William Preucil, concertmas­ter of the Cleveland Orchestra, accused of assaulting a young violinist in his hotel room during a teaching stint at the New World Symphony in Miami, has been placed on paid leave by the orchestra and has resigned his position at the Cleveland Institute of Music, as well as being removed from the programs of several scheduled concerts around the country.

He was performing at this summer’s Santa Fe Chamber Music Festival when The Post’s story broke last week. A spokeswoma­n for the festival said Preucil had been “replaced” for three remaining concerts.

Uzan and his wife, Diana Soviero, resigned Sunday from their posts as co-directors of the young artists’ studio at the Florida Grand Opera.

As of Wednesday, there was no statement from the Royal Concertgeb­ouw Orchestra in Amsterdam about Daniele Gatti, its chief conductor, who was accused in the article of assaulting two women in his dressing rooms, one in Chicago and one in Bologna, Italy. The Concertgeb­ouw offices were operating on limited summer hours through July and some staff members are on vacation. Gatti has, however, engaged a publicity firm, the Reputation Doctor, through which he issued a blanket apology “to all the women I have met in my entire life.”

Uzan Internatio­nal Arts, the agency Uzan founded and has run with his daughter, Vanessa Uzan, represents more than 100 artists, including singers, conductors and stage directors. Several singers said that they had left the agency in the wake of The Post’s revelation­s.

In his letter, Uzan said that he is turning the agency over to Vanessa, who has already effectivel­y been doing the heavy work of running it for some time.

Uzan was also scheduled to direct Massenet’s opera “Werther” at the Florida Grand Opera in March. His name has been removed from the website.

“I had a long life full of obstacles and tragedies,” Uzan said in his statement. “The past few years I had to deal with many health problems and it is imperative that I take care of it. My life has also been full of wonderful moments and experience­s for which I am very grateful.”

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