Albuquerque Journal

COLORFUL & COMPLEX

Show to highlight rare Germantown weavings

- BY KATHALEEN ROBERTS ASSISTANT ARTS EDITOR

With their vivid color palette and explosive designs, Germantown weavings mark the beginning of modern art.

Santa Fe’s Antique American Indian Art Show will showcase about 30 of the textiles when it opens Tuesday, Aug. 14, at El Museo de Cultural de Santa Fe in the city’s Railyard district. The show continues through Friday, Aug. 17, with about 70 exhibitors selling a range of baskets, jewelry, beadwork, ledger drawings, moccasins, textiles and Northwest Coast and Eastern Woodland pieces.

Dating from 1870 to 1900, these brilliantl­y colored Germantown weavings marked the first time yarns were imported into Navajo country after their release from the Bosque Redondo when the U.S. government imprisoned 9,500 Navajos and 500 Mescalero Apaches at Fort Sumner from 1863to 1868.

When the weavers returned to their homeland, their sheep had been decimated. Trading posts sprouted with wool imported from the East Coast, most specifical­ly from Germantown, Pa.

“For the first time, they have access to purples and bright yellows and bright greens,” exhibition owner/partner Kim Martindale said in a telephone interview from Los Angeles.

Before this time — known as the “transition­al” period — they wove primarily in natural browns, blacks and whites, Martindale said.

These were four-ply yarns commercial­ly spun and dyed, which were shipped to the West via the newly-built railroads. They incorporat­ed ancient geometric designs, patterns and embellishm­ents. Commercial aniline dyes eliminated the laborinten­sive process of shearing sheep, spinning thread and gathering natural pigments. The native weavers embraced the bold colors.

“At that point, it’s really valuable yarn because of the shipping costs,” Martindale said. “It’s given to the best weavers in Navajo country because it’s such a valued yarn.”

The weavers started experiment­ing, turning out “eye-dazzlers” renowned for their complex graphics and complement­ary color combinatio­ns. They often wove these in a serrated, sawtooth pattern.

“No one was doing these bold geometric patterns.”

They also lifted the serrated diamond patterns found in Spanish colonial rugs.

These rugs were more abstracted, a feat earning them categoriza­tion as the WHAT: Antique American Indian Art Show Santa Fe

WHEN: Opening night party 6-9 p.m. Tuesday, Aug. 14; 11 a.m.-5 p.m. Wednesday-Friday, Aug. 15-17

WHERE: El Museo Cultural de Santa Fe, 555 Camino de la Familia, Santa Fe

HOW MUCH: $50 Aug. 14 opening night benefits KNME New Mexico PBS; $15 Aug. 15-17. Informatio­n at antiqueind­ianartssho­w.com.

first examples of modern art, Martindale said.

By the end of this period, the weavings disappeare­d.

“The Germantown yarn stopped being imported,” Martindale said, “and it changed into three-ply yarn. The wool was not as finely woven and finely spun.”

After 1900, most weavers returned to weaving with their own yarn.

“For some reason Germantown yarn just stopped being imported,” Martindale said.

 ??  ?? Navajo Germantown rug with Moki pattern with a narrow striped styling alternatin­g between dark blue and black or brown rhythmic banding.
Navajo Germantown rug with Moki pattern with a narrow striped styling alternatin­g between dark blue and black or brown rhythmic banding.

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