Albuquerque Journal

Three audiobooks that are worth listening to now

- BY KATHERINE POWERS THE WASHINGTON POST

“THE DRAGONS, THE GIANT, THE WOMEN” Wayétu Moore’s artfully constructe­d memoir is one of the year’s most beautifull­y written and moving books. Beginning in 1990 in Monrovia, Liberia, we find 5-year old Wayétu seeing events through a lens of longing and myth. As the country shatters into civil war, she pines for her mother, absent in New York. Suddenly, rebel troops appear on the family’s street and Wayétu, her two sisters, her grandparen­ts and her father flee on foot, leaving practicall­y everything behind. Moore builds terrific suspense, alternatin­g this story with that of her later life in America, of culture shock and the effects of war trauma. In a superb change of approach, she switches toward the end to her mother’s point of view in New York. Tovah Ott brings a fine, versatile voice to the narration, capturing character and mood, especially in Wayétu’s voice as a child. (Brilliance Audio, Unabridged, 7¾ hours)

“THE MIRROR & THE LIGHT” Hilary Mantel’s final volume of her trilogy based on the life of Thomas Cromwell, Henry VIII’s right-hand man, begins with Anne Boleyn’s decapitate­d body and a courtier slipping away to tell the impatient king he is now free to marry Jane Seymour. Cromwell, who managed the entire business, is at the zenith of his power, but, history, ever the spoiler, tells us that only four years remain before he, himself, loses his nimble noggin. Ben Miles — Group Captain Peter Townsend in “The Crown” — and captures Cromwell’s voice, its taint of baseness and quiet ruthlessne­ss. (Macmillan, Unabridged, 38¼ hours)

“THE BOOK OF EELS: OUR ENDURING FASCINATIO­N WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD” Translated from the Swedish by Agnes Broomé, Patrik Svensson’s first book combines scientific and cultural history with a memoir of his father, a road paver, who died at 60 from cancer. Svensson has, quite stunningly, discovered in the natural and human history of the European eel a metaphor for his father’s life and a way to explore questions of knowledge, belief and faith.

Alex Wyndham narrates this revelatory, amusing, often poignant amalgam of science and family history in a dark, undulant baritone, a voice that could be that of a big, kindly eel. (HarperAudi­o, Unabridged, 6½ hours)

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